I’m not huge on Spotify, but every listener and supporter counts massively in my book. A single note can change the life of a single person, this is how I see it. If I have only made one person on this planet feeling better with my music: mission accomplished.
So, THANK YOU ALL (and click the image to check my Spotify artist page)!
P.S.: I know, I’m lagging on the album… it’s coming, no worries. It has to be perfect, you know… 😉
I decided to offer all my music for which I own the copyrights* for free, now and in the future. “Free” means all music I have on my own label (L2 Music) can be downloaded for as low as zero (all currencies, smiles preferred) or for whatever amount you think is right, in the best possible quality! There are no hooks, eyelets or hidden conditions. There is just music.
You can either stream my music for free via Spotify or stream and/or download at Bandcamp.
*Digital downloads, not physical products, of course. I have no influence on the price of my music that I have signed with other labels, hence I can not offer this for free. But all of my albums are on my own label, and most of my non-dance-music productions.
Of course, I will still do paid remixes (and receive royalties for those), and sign my music to other labels, mostly dance music productions. But music on my own label (my albums etc.) will be free from now on.
Why am I doing this?
It’s simple, really. There is no point in asking you to pay for the download of music files anymore when you can stream it for free already. Those who like to listen to music in top quality (the audiophiles among you), there are the free or pay-what-you-want downloads at Bandcamp.
Nevertheless, I would like to ask each one of you to support me by becoming my patron:
Thank you, no matter if you’re just a listener or paying subscriber/downloader. You’re all equally valuable to me.
I’ve done around 30 different mixes, tried like 10 different guitars, mixing the drum kit and making it sounding right has taken an incredible amount of time, I’ve tweaked the tiniest bits of sound to total exhaustion.
Should the grand piano have more mechanical noises… should the timpani have slightly more reverb… should the guitar have a delay or not, should I add the cello on top of the full orchestra, or an oboe? Should I widen the acoustic guitar or leave it as is? Is this chord harmonic enough for the one before? Is the Oberheim too loud? Should I use the Gibson EB0 or the Les Paul bass, finger or pick? Stratocaster or Telecaster? This or that cabinet, or none at all, what amp? Distortion or slight fuzz, tremolo?
Questions like that are bothering me all the time. And the production is so huge that my DAW crashes at least 3 times a day. Plus, anxiety, doubts… because “is it all worth it? Will they understand it?”. Sleepless nights. Then again: “fuck yeah!”. It all sounds absolutely heavenly, I get goosebumps all the time. And nothing is even mastered at all.
I have half of the album sounding as perfect as it gets, with the needed amount of imperfection to become perfect. I open parts of it again, again and again… stuff that I did a year ago that doesn’t sound right today, and may sound not right next week. You get the idea. 😉
No worries, it’s all good. It’s finished very soon. Once it’s done I have nothing to do with it anymore. Then it’s a product with a life of its own, and I will watch it learning to walk.
I will reply to all of your questions in a video that I’ll upload to Facebook and YouTube, very soon.
I could write a 24 km long review about Steven Wilson’s new album “To The Bone”, which I’m lucky enough to have a promo copy of. I’ll keep my review as long as necessary. Here’s what I have to say:
It’s a beautiful album containing some of the best song-writing Steven has ever done. The album makes sense to listen to as an album, individual tracks are still amazing but the music only stands out as a whole, and then it’s a mind-blowing work.
Finalizing the album takes longer than wished, because I’ve been swamped with a gazillion tasks from my quadrillion jobs I (pretend to) have. But (!) on one hand it’ll be finished later, on the other you will have it earlier, because I found a very nice solution for how to deliver it to you. More on this in another post. In case you haven’t listened to the little medley I’ve put together, here it is:
During my visit for a gig in Berlin last week I’ve found the time to (finally!) collaborate with my good friend, legend and all-over genius Bernhard Wöstheinrich (you have to check out his stuff, trust me!). Not only has it been a wonderful time with someone I dearly cherish, we’ve also worked on 3 tunes that sound crazy awesome (more is planned, of course), and the titles and the name for our new project are just as promising (and weird) as the music itself. Bernhard’s almost impossible wizard-like contributions to the project are, well … almost impossible to describe. The wizardry is strong on this one, that’s for sure. We will reveal details on this as soon as we can. And maybe — we really don’t know that, yet — we even perform our stuff live. Like in “playing instruments on stage”. First, let’s finish that music. Also, we are looking for the right label for this. Early interest is welcome.
New gigs all across Europe are in the making. That means, basically: words are being talked. As you know, this doesn’t always result in satisfying results. Plus, right now I really need to get my shit together, regarding finishing the album, which has top priority. In case you’re a promoter, we’re always happy about your interest in booking me, though.
“Elegy For The Living” is the title of my forthcoming new album. This page will be the feature page for the album when it’s released, which will most probably happen in December 2017spring 2018 summer 2018.
I’m sorry for the delay on the release. There are certain stages of the final production that require updated technology that needs to get set up and running. New gear has arrived! I started finishing the album, to be released early summer 2018!