Tag: education

The 10 Best Drummers of All Time (According to Me)

Leave a comment

In the world of music, there are legends who have the power to move souls with their rhythmic magic. Among them, the drummers stand tall as the untamed giants of the beat, the fiery guardians of the groove. Spanning across genres, from the smoky realms of jazz to the thunderous realms of rock, these sonic revolutionaries ignite fires within our hearts. Now, behold the divine pantheon of the ten awe-inspiring drummers who have transcended mere virtuosity to become symbols of passion, power, and pure musical wizardry!

(In no particular order, although Gavin Harrison and Simon Phillips are my 2 absolute favorites)

🥁 Drum roll, please! 🥁

Gavin Harrison

  • Biography: Born in 1963 in England, Gavin Harrison showed an early interest in drumming. He joined Renaissance at 19 and later became a sought-after session drummer. His work with Porcupine Tree and King Crimson has earned him numerous awards and accolades.
  • Current Projects: King Crimson, Solo Work
  • Artists/Bands: Porcupine Tree, King Crimson, The Pineapple Thief
  • Equipment: Sonor Drums, Zildjian Cymbals, Vic Firth Sticks, Remo Skins
  • Why I Love Him: Gavin’s precision and creativity are unmatched. His ability to weave complex rhythms into accessible music is pure genius.
  • Fun Fact: Gavin has authored several drumming books!
  • Watch Him in Action:

Simon Phillips

  • Biography: Born in 1957 in London, Simon Phillips began playing professionally at the age of 12. He’s played with a wide range of artists, including The Who and Toto. His powerful style and versatility have made him one of the most respected drummers in the world.
  • Current Projects: Solo Work, Protocol
  • Artists/Bands: Toto, Mike Oldfield, The Who, Judas Priest, Michael Schenker
  • Equipment: Tama Drums, Zildjian Cymbals, Pro-Mark Sticks, Remo Skins
  • Why I Love Him: Simon’s versatility and power behind the kit make him a force to be reckoned with.
  • Fun Fact: He’s played on over 400 albums!
  • Watch Him in Action:

Mike Mangini

  • Biography: Born in 1963 in Newton, Massachusetts, Mike Mangini’s drumming journey began at age 2. He’s played with Extreme and Steve Vai, and in 2011, he became the official drummer for Dream Theater. His incredible speed and precision have earned him several World’s Fastest Drummer records.
  • Current Projects: Dream Theater
  • Artists/Bands: Dream Theater, Extreme, Steve Vai
  • Equipment: Pearl Drums, Zildjian Cymbals, Vater Sticks, Remo Skins
  • Why I Love Him: Mike’s technical prowess and speed are jaw-dropping. His solos are a rollercoaster ride!
  • Fun Fact: He holds five World’s Fastest Drummer records.
  • Watch Him in Action:

Gergo Borlai

  • Biography: Born in 1978 in Hungary, Gergo Borlai was a child prodigy, starting to play drums at age three. He’s known for his fusion of jazz, rock, and funk and has played with artists like Scott Kinsey and Gary Willis. His unique style has made him a prominent figure in the drumming community.
  • Current Projects: Solo Work, Various Collaborations
  • Artists/Bands: Scott Kinsey, Gary Willis, Tribal Tech
  • Equipment: Ludwig Drums, Meinl Cymbals, Vic Firth Sticks, Evans Skins
  • Why I Love Him: Gergo’s fusion of jazz, rock, and funk is a rhythmic feast for the ears.
  • Fun Fact: He started drumming at age three!
  • Watch Him in Action:

Nick D’Virgilio

  • Biography: Born in 1968 in California, Nick D’Virgilio is known for his work with progressive rock bands like Spock’s Beard, Big Big Train and Genesis. He’s also a talented singer and has contributed to numerous albums as a session musician. His melodic sensibility and technical prowess have earned him a dedicated fan base.
  • Current Projects: Big Big Train, Solo Work
  • Artists/Bands: Spock’s Beard, Genesis, Tears for Fears
  • Equipment: DW Drums (and many others), Sabian Cymbals, Pro-Mark Sticks, Evans Skins
  • Why I Love Him: Nick’s progressive rock chops and melodic sensibility are second to none.
  • Fun Fact: He’s also a talented singer and plays the guitar!
  • Watch Him in Action:

Sarah Thawer

  • Biography: Based in Toronto, Canada, Sarah Thawer is a self-taught drummer known for her unique blend of traditional Indian rhythms with modern jazz. She’s a YouTube sensation and has performed with various jazz ensembles. Her innovative approach to drumming has made her a rising star in the music world.
  • Current Projects: Various Collaborations, Educational Work
  • Artists/Bands: Independent, Various Jazz Ensembles
  • Equipment: Yamaha Drums, Zildjian Cymbals, Vic Firth Sticks, Remo Skins
  • Why I Love Her: Sarah’s blend of traditional Indian rhythms with modern jazz is refreshing and unique.
  • Fun Fact: She’s a self-taught YouTube sensation! And she drums with her face, too. Her facial expressions are something!
  • Watch Her in Action:

Buddy Rich

  • Biography: Born in 1917 in Brooklyn, New York, Buddy Rich was a jazz drumming legend known for his incredible technique and showmanship. He led his own big band and played with greats like Frank Sinatra. His influence on drumming continues to be felt today.
  • Current Projects: Passed away in 1987
  • Artists/Bands: Buddy Rich Big Band, Frank Sinatra, Tommy Dorsey
  • Equipment: Slingerland Drums, Zildjian Cymbals, Buddy Rich Signature Sticks, Remo Skins
  • Why I Love Him: Buddy’s showmanship and technique are legendary. He’s the original drumming superstar.
  • Fun Fact: He once had a drum battle with Animal from The Muppets!
  • Watch Him in Action:

Jeff Porcaro

  • Biography: Born in 1954 in Connecticut, Jeff Porcaro was a founding member of Toto and an in-demand session drummer. His groove in songs like “Rosanna” is timeless, and his feel for the music made him one of the most recorded drummers in history.
  • Current Projects: Passed away in 1992
  • Artists/Bands: Toto, Steely Dan, Michael Jackson
  • Equipment: Pearl Drums, Paiste Cymbals, Regal Tip Sticks, Remo Skins
  • Why I Love Him: Jeff’s groove in songs like “Rosanna” is legendary. His feel is simply magical.
  • Fun Fact: He’s one of the most recorded drummers in history.
  • Watch Him in Action:

Marco Minnemann

  • Biography: Born in 1970 in Germany, Marco Minnemann is known for his incredible independence and creativity on the drums. He’s played with The Aristocrats, Steven Wilson, and Joe Satriani. His ability to play a different rhythm with each limb is mind-blowing.
  • Current Projects: The Aristocrats, Solo Work
  • Artists/Bands: The Aristocrats, Steven Wilson, Joe Satriani
  • Equipment: DW Drums, Zyn Cymbals, Pro-Mark Sticks, Evans Skins
  • Why I Love Him: Marco’s creativity and independence on the kit are out of this world.
  • Fun Fact: He can play a different rhythm with each limb! He always seems to have the most fun behind the kit.
  • Watch Him in Action:

Chris Coleman

  • Biography: Born in 1977 in Michigan, Chris Coleman is known for his gospel chops and has played with a wide range of artists, including Prince, Chaka Khan, and Stevie Wonder. His soulful playing and finesse have made him a favorite among musicians and fans alike.
  • Current Projects: Various Collaborations, Educational Work
  • Artists/Bands: Prince, Chaka Khan, Stevie Wonder
  • Equipment: Sonor Drums, Meinl Cymbals, Vic Firth Sticks, Remo Skins
  • Why I Love Him: Chris’s chops and musicality are insane. He plays with soul, power and finesse. Very hard hitter, super groovy.
  • Fun Fact: He’s played with everyone from Chaka Khan to Prince.
  • Watch Him in Action:

So, there you have it, my personal top 10 drummers who’ve ever graced a drum throne. From legends of the past to modern maestros, these drummers have shaped the way I hear and feel music. 🥁💥


high angle photo of robot

My Take on AI like ChatGPT (and the Real Threats)

Leave a comment

I fear slowing down the development and implementation of AI more than the everyday use of it.

AI is not inherently good or evil, it’s basically a tool that can be used for a variety of purposes, and it is up to humans to decide how to use it. Many of the concerns about AI are based on science fiction and exaggerations rather than real-world applications and limitations of current AI technology. The development of AI is still in its early stages, and while it has shown significant progress recently, it is still far from reaching a point where it can pose a threat to humanity.

AI like ChatGPT is useful and somewhat impressive (or not) but far from dangerous. It knows less than humanity actually does. It has no capacity for opinion, emotion or decision-making. And it is precisely these 3 things that get us into trouble as humans.

Artificial intelligence is only as “intelligent” as we feed such a system with data. So, it always depends on how intelligent the feeder is and how extensive and balanced the data is. I highly doubt very stupid people would have access to this feeding process or even understand how to feed.

That brings me to our real problem: ignorant or stupid people.

Now if you think I’m about to bash people with a lack of mental abilities, read on first.

The actions of unintelligent or ignorant people have a greater negative impact on society than those of intentionally malicious individuals, like say Donald Trump (who is both stupid and ignorant, the most dangerous combination). While both ignorance and intentional malice can and do certainly have negative consequences, it is also true that people who are uninformed or lack critical thinking skills inadvertently make poor decisions that harm others.

Some people can be a bit dim about certain things, and we often make fun of them in a light-hearted way. However, stupidity can be a serious problem. Stupid people can be even more dangerous than evil people because they are harder to identify and fight against. Unlike evil, which we can recognize and protest against, stupidity is much more difficult to combat because we are more tolerant of it and the stupid person is often not open to reason.

Stupidity often goes hand-in-hand with power, which can make it even more dangerous. When someone becomes part of the establishment or holds a position of authority, they often surrender their critical thinking and reflection, becoming more like an automaton. That’s a dangerous weapon because it can be easily guided, steered, and manipulated by evil people. Therefore, while we can laugh at moments of ignorance in our close company, we should be scared and angry when stupidity takes reign.

But there’s also a lot of danger in pure ignorance.

Ignorance is often simply a refusal to use one’s opportunities to do good or right for reasons of convenience, fear, or disinterest. It is the choice to not seek out or engage with information. Ignorance is mainly a decision, and it’s a bad one.

Stupidity, on the other hand, is a lack of intelligence or cognitive ability. It can be permanent or the result of a cognitive disability or developmental disorder. Stupidity is not a choice, and those who are affected by it may not be able to overcome it through education or learning.

In any case, I think the solution is access to education, diversity and experience. People who see a lot and experience a lot become smarter, that’s a fact. I myself also went through the world with prejudices and false misconceptions until I experienced it up close as it really is. That allowed me to learn and correct myself.

It is of secondary importance which cognitive abilities a person has. A mentally handicapped person tends to make better decisions than a person of high intellectual ability who is uneducated.

As such, I’ve always had more problems with intellectually capable people who refuse education, diversity, and experience — such as some religious people, without naming names — than with those who try their best.

The ignorant ones definitely worry me more. AI doesn’t worry me at all. Hopefully, when people are finally relieved of stupid work by artificial intelligence, they will learn to have time for what really matters.

Update 20 February 2023

Check this article: www.vice.com/en/article/k7bdmv/judge-used-chatgpt-to-make-court-…

The Ultimate Harmonic Mixing & Composing Chart

13 Comments

Before you dig in…

The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times.

The situation

As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t).

So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always.

As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key).

In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This example is the very basic part of harmonic mixing or composing. And also, a bit boring if you do that all the time. It becomes really good and interesting when you use all the options within the world of chord progressions.

What I was missing in all those years of composing and mixing was ONE chart (to rule them all) that shows me ALL key/chord systems and their equivalents, their piano keys (very useful for composing) and their harmonic keys/chords. I searched the interwebs in order to find out if someone did this, but no one did.

The solution

So, I did it myself. 8 hours work and I had what I was looking for. And since I guess this could be useful for every musician/DJ, I want to share it here with you. This is how it looks like (click to open the full resolution file):

The Ultimate Harmonic Mixing Composing Chart
Click to open large version, right-click to save

You can download the high-res PNG image above, print it out and use it for yourself, if you like. Here’s a PDF and the original EXCEL version of it, in case you want to edit/modify something for your needs (let me know when you find mistakes or when you improved it!):

PDF | EXCEL

What does it do, how do I use this?

Let’s take an example for a composing or mixing situation:

The chord we’re working with at the moment is A minor (or 8A, or 1m). What shall be next? Everything in the table below — around the 8A — is possible, it will be harmonic. The closer to the 8A it is the more harmonic it’ll be.

Composing Keys

DJ Keys

Harmonic Keys
Western Music Scale
Piano Chord Keys
Camelot Key
Open Key
Scale Degree
DJ Keys up/down
D minor D + F + A 7A 12m Fourth (Sub-Dominant) -1
C major C + E + G 8B 1d Relative major

A minor

A + C + E

8A

1m

Same key (tonic)
E minor E + G + B 9A 2m Fifth (Dominant) 1
B-flat/♭ minor A# + C# + F 3A 8m Low energy boost 7
B minor B + D + F# 10A 3m High energy boost (supertonic) 2
A-flat/♭ minor G + B + D# 1A 6m Low energy drain -7
G minor G + A# + D 6A 11m High energy drain (leading tone) -2

But your decision what to do next is depending on the purpose. What kind of “feel” do you want to give your mix or composition?

Examples

Here are some possible chord progression scenarios, working with the Camelot Keys (which I prefer, at least for DJing), starting with 8A:

The “River”

That’s how I call it, it’s kind of a “secure standard”, nothing special, it’s just flowing along:

8A > 9A > 10A … 12A > 1A > 2A and so forth, until you’re at 7A and back into 8A again

Audio sample:

Music used: Ingo Vogelmann “Albert” (8A) > Tripswitch “Proximity Effect” (9A) > Mike Griego “What Lies Beyond” (10A) 

You can’t go wrong with this one, you just rock “around the clock”. Depending on the energy level of actual music/sequence used, transitions changes can be very energetic, though.

The “Little Ocean Wave”

The energy of this chord progression has the shape of an ocean wave or a sawtooth:

8A > 9A > 11A (+2 DJ keys, high energy boost) > 12A > 1a and so forth

Audio sample:

Music used: Ingo Vogelmann “Albert” (8A) > Tripswitch “Proximity Effect” (9A) > Bobby Deep “Egopunk” (11A) 

You can do this once in a while to give your mix a little energy boost, which makes it more interesting than the “River”.

The “Big Ocean Wave”

8A > 9A > 4A (+7 DJ keys, low energy boost) > 6A (+2 DJ keys, high energy boost) > 7a and so forth

Audio sample:

Music used: Ingo Vogelmann “Albert” (8A) > Tripswitch “Proximity Effect” (9A) > Michael A “Storm” (4A) > Robert Babicz “Kinect” (6A) 

Here you have a longer and progressive wave of energy rising, until it falls back to normal at 7A again, just like an ocean wave crashing and the next one building up again.

The “Wild Ocean”

It’s a bit stormy, and the waters stirred up, but everything is still harmonic and in place. This is the most “interesting” way of mixing, things shouldn’t become boring:

8A > 8B (relative major) > 9A > 4A (+7 DJ keys, low energy boost) > 4B (relative major) > 6B (+2 DJ keys, high energy boost) > 7B > 2B (+7 DJ keys, low energy boost) > 4B (+2 DJ keys, high energy boost) > 5B and so forth

Audio sample:

Music used: Third Son & Wally Lopez “Geometry” (8A) > Ingo Vogelmann “Empire On Fire” (8B) > Antrim “The Mystic Lovers” (9A) > Michael A “Storm” (4A) > Raw District Feat. Jinadu “Taking You Down” (Habischman Remix) (4B)

I could make up a hell of a lot more examples now (with even sillier names), but you most probably already get the idea. The options are really endless, and you’ll always be composing or DJing harmonic. The above scenarios are just examples. Find out what works for yourself, I’m sure you’ll have fun experimenting with chord progressions, using this nifty chart. Oh, and don’t mind the silly names … it’s just about giving things a name. 😉

It’s free! Download, share, modify, re-publish and generally do with it whatever you want. But please, don’t pretend you did this. Credit would be nice (and fair) but is no condition.