Rumours About My Retirement — A Statement

Ingo Vogelmann
Not retired, yet.

There seems to be a rumour that I retired. Recently I also received messages from fans who asked me directly. I think it’s time to explain, and not just on this subject.

First of all: no. I haven’t retired, yet, nor do I plan so anytime soon. But I have either shut down or minimized certain activities that affect my work in the music industry, on the other hand, I draw my energy to other (and partially new) things.

About my management activities in the music industry

As you may know, I no longer work for FRISKY. I also removed my shows from the station, because I wanted it that way. I was not officially fired. At a certain point, FRISKY simply stopped communicating with me for reasons that to this day are incomprehensible to me, unless I suspected fraud. After all, I was the one who quit after nobody talked to me anymore. I got some sort of explanation (very much too late), but it wasn’t satisfactory at all. Despite the fact that it assumed completely false accusations that looked strongly like made up, for the sake of accusation. I can not spread the whole story publicly, it’s still a legal process that is far from over. I still have demands that I have to enforce in court.

With great pleasure I am Head of A&R for Pro B Tech Music. This job usually takes place in the background, which is why you do not notice much of it. But I am very busy. If you have demos, send them to me. 😉

Studio work

I direct my energy more and more to the work in the studio. That means I produce, mix, master and compose a lot, both for myself and for clients. That’s great fun. I couldn’t imagine quitting this, ever. I will probably do this until my very last breath. I just love music too much.

Radio shows

I do that. Still. As long as I enjoy it and my time allows it. I don’t know when the time has come when it stops being enough fun to continue, but you will notice.

Gigs

Quite clear: I’m picking out the really good ones. I’m tired of stupid discussions with promoters that do too much coke and have an incredibly inflated ego or want to fool me. I do not play for free drinks, travel expenses and hotel. BTW, I never did that.

To be honest: I have been involved in the music industry for about 25 years. I have experienced many beautiful things, seen many places and people and experienced unforgettable moments. But also many bitter disappointments. And I – 45 years old – do not feel like it anymore. Really not. I might be a bit stupid, but not that stupid.

And here is the most important thing…

Over the years, I have neglected far too many things. Friends and partnership, for example. Family. A normal life. I haven’t always given the really important people in my life the attention and energy they deserve. Although I always had the best intentions, I have been terrible on many subjects and fucked up opportunities.

At 45, I’m full of regrets that I need to process — believe it or not. Your own mistakes make you either go full retard (pardon the wording) or they make you humble and thoughtful. I want to be a better version of myself and live the life I could have lived earlier if I hadn’t clinged to stupid things and false perceptions. I also want to have more time and energy for private passions and hobbies, and I also want to really listen to the music I love more, not just skip through it, because I need to evaluate it.

I’m at an age where you do not have to get involved with everything or prove anything. I (almost) only do things that I enjoy doing. A few things I did before have only taken but not given back enough, or at all. Fuck this.

In a nutshell, I have no time or energy to waste. This life is short and will be over sooner or later, and I’m the only one responsible for my happiness until that day has come.

However, that’s the short explanation on the state of things. If necessary, I will explain more at some point. Thanks for your attention and for your support! I sincerely hope you understand what this is about, and what not.

The Ultimate Harmonic Mixing & Composing Chart

THE SITUATION

As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). Plus, I personally use 3 different DJ applications and 3 different DAWs for music production alone, for different purposes.

So yeah, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always.

As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, smart people came up with different systems like the Camelot Keys (Mixed in Key, which I prefer, because of its accuracy) or the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This example is the very basic part of harmonic mixing or composing. And also a bit boring if you do that all the time. It becomes really good and interesting when you use all the options within the world of chord progressions.

What I was missing in all those years of composing and DJing was ONE chart (to rule them all) that shows me ALL key/chord systems and their equivalents, their piano keys (very useful for composing) and their harmonic keys/chords. I searched the net in order to find out if someone did this, but no one did. At least I couldn’t find it.

 

THE SOLUTION

So, I did it myself. 8 hours work and I had what I was looking for. And since I guess this could be useful for every musician/DJ, I want to share it here with you. This is how it looks like (click to open the full resolution file):

The Ultimate Harmonic Mixing & Composing Chart

You can download the high-res JPG above, print it out and use it for yourself, if you like. Here’s a PDF and the original EXCEL version of it, in case you want to edit/modify something for your needs (let me know when you find mistakes or when you improved it!):

 

WHAT DOES IT DO, HOW DO I USE THIS?

Let’s take an example for a composing or mixing situation:

The chord we’re working with at the moment is A minor (or 8A, or 1m). What shall be next? Everything in the table below — around the 8A — is possible, it will be harmonic. The closer to the 8A it is the more harmonic it’ll be.

Composing Keys

DJ Keys

Harmonic Keys

Western Music Scale
Piano Chord Keys
Camelot Key
Open Key
Scale Degree
DJ Keys up/down
D minor D | F | A 7A 12m Fourth (Sub-Dominant) -1
C major C | E | G 8B 1d Relative major

A minor

A | C | E

8A

1m

Same key (tonic)

E minor E | G | B 9A 2m Fifth (Dominant) 1
B-flat/♭ minor A# | C# | F 3A 8m Low energy boost 7
B minor B | D | F# 10A 3m High energy boost (supertonic) 2
A-flat/♭ minor G | B | D# 1A 6m Low energy drain -7
G minor G | A# | D 6A 11m High energy drain (leading tone) -2

But your decision what to do next is depending on the purpose. What kind of “feel” do you want to give your mix or composition?

 

EXAMPLES

Here are some possible chord progression scenarios, working with the Camelot Keys (which I prefer, at least for DJing), starting with 8A:

The “River”

That’s how I call it, it’s kind of a “secure standard”, nothing special, it’s just flowing along:

8A > 9A > 10A … 12A > 1A > 2A and so forth, until you’re at 7A and back into 8A again

Audio sample:

Music used: Ingo Vogelmann “Albert” (8A) > Tripswitch “Proximity Effect” (9A) > Mike Griego “What Lies Beyond” (10A) 

You can’t go wrong with this one, you just rock “around the clock”. Depending on the energy level of actual music/sequence used, transitions changes can be very energetic, though.

The “Little Ocean Wave”

The energy of this chord progression has the shape of an ocean wave or a sawtooth:

8A > 9A > 11A (+2 DJ keys, high energy boost) > 12A > 1a and so forth

Audio sample:

Music used: Ingo Vogelmann “Albert” (8A) > Tripswitch “Proximity Effect” (9A) > Bobby Deep “Egopunk” (11A) 

You can do this once in a while to give your mix a little energy boost, which makes it more interesting than the “River”.

The “Big Ocean Wave”

8A > 9A > 4A (+7 DJ keys, low energy boost) > 6A (+2 DJ keys, high energy boost) > 7a and so forth

Audio sample:

Music used: Ingo Vogelmann “Albert” (8A) > Tripswitch “Proximity Effect” (9A) > Michael A “Storm” (4A) > Robert Babicz “Kinect” (6A) 

Here you have a longer and progressive wave of energy rising, until it falls back to normal at 7A again, just like an ocean wave crashing and the next one building up again.

The “Wild Ocean”

It’s a bit stormy, and the waters stirred up, but everything is still harmonic and in place. This is the most “interesting” way of mixing, things shouldn’t become boring:

8A > 8B (relative major) > 9A > 4A (+7 DJ keys, low energy boost) > 4B (relative major) > 6B (+2 DJ keys, high energy boost) > 7B > 2B (+7 DJ keys, low energy boost) > 4B (+2 DJ keys, high energy boost) > 5B and so forth

Audio sample:

Music used: Third Son & Wally Lopez “Geometry” (8A) > Ingo Vogelmann “Empire On Fire” (8B) > Antrim “The Mystic Lovers” (9A) > Michael A “Storm” (4A) > Raw District Feat. Jinadu “Taking You Down” (Habischman Remix) (4B)

 

I could make up a hell of a lot more examples now (with even sillier names), but you most probably already get the idea. The options are really endless, and you’ll always be composing or DJing harmonic. The above scenarios are just examples. Find out what works for yourself, I’m sure you’ll have fun experimenting with chord progressions, using this nifty chart. Oh, and don’t mind the silly names … it’s just about giving things a name. 😉

 

It’s free! Download, share, modify, re-publish and generally do with it whatever you want. But please, don’t pretend you did this. Credit would be nice (and fair), but is no condition.

 

Now, if you’d head over to bandcamp and buy my music, that’ll be rather nice:

 

Update, January 2017

This is how it looks like when someone make a huge print of it, for the studio.

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