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What has been a real issue on SoundCloud is now an issue on Spotify. I know that all the producers and labels are happy when I showcase their music on my shows. This system is broken and dysfunctional. Music that gets promoted via podcasts and radio shows gets blocked by a flawed copyright monitoring system. It’s not humans that make those individual decisions, it’s algorithms.
Worry not, the podcast and its individual shows is still available on SoundCloud, MIXCLOUD and via RSS feed:
Dear Spotify, if you read this: the entire fucking point of a DJ mix is the DJ playing records of other people. That promotes the record, the artist and the label. This is how underground electronic music works. I can’t believe I have to explain this to the world’s biggest music streaming company. You wanted podcasts, you get podcasts. Now, you kick the podcasts of DJs like me. This is ridiculous.
P.S.: The system is very slow. It took them around 2 months to find out that I promote other people’s music on my podcast, which is the entire point of playing and recording DJ sets and making them available as podcasts.
After a few months without Facebook and some new releases, the result is disastrous when it comes to marketing my music. I usually sold a few hundred copies at Bandcamp in the first few days after new music was released. There is absolutely no comparison to that now, I am far from it, to put it mildly.
I had the most visitors to my website through Facebook, and most of the buyers of my music came through Facebook. Twitter absolutely cannot close this gap. Where Facebook was responsible for 80% influx, Twitter is only 10%. Neither my own website nor any social network can compensate for this.
These are facts and they bother me massively. I hate Facebook, think it’s wrong, harmful, and also criminal. My dilemma is quite big, accordingly.
I currently have to put up with the question of whether I can afford the absence of Facebook as someone who wants to make money with music (not necessarily, but want to). I am very busy in the studio and have lots of releases planned. I have never been more creative than now, and it hurts me that things are going down on the business side of things… just because of the fact that I left Facebook.
It would be very nice if you would support me if you like what I do. You can either buy my music on Bandcamp, stream it on Spotify or Apple Music or donate something. I don’t want gifts, you know that I always give more than I ask back. 😉
In the next few days/weeks you might experience something unusual when you stream or download my music from the countless stores and streaming services out there. It could happen that my releases appear as double entries, and it’s possible that you recognize missing songs and changed song order of album releases.
That’s all because of the transition between 2 distribution companies. I transfer all my music from one to another, and they do not work in sync. One is faster then the other — with taking down and upping content — which is only one reason why I change partners. I’m quite unhappy with my former distributor, and the new setting is also better for you, as a fan.
That’s it. Nothing that should concern you at all, I just wanted to let you know, just in case something seems odd to you. I’m pretty confident that things are much better for you and me after the transition has been done.
Enjoy my music everywhere as always, everything will be accessible all the time. Thanks for your ongoing support!
You’ll probably expect a big and loud “NOOO” from me. I have to disappoint you. LANDR is good.
BOOM, there I dropped it: it’s good.
You get reasonable results for an unbeatable price. Fast, easy, very affordable. There are few good reasons not to use LANDR. But decisive, for example: it’s only good, not more, just good.
There is no human experienced audio engineer who brings his many years of experience and his sense of music and musicality into play. Nobody tells you if and how you can improve your mix, so that eventually the master gets better. Special requests are not considered by LANDR, corrections — of any kind — do not exist. You can not talk to anyone about the process and that’s why you do not learn anything, there is no feedback or commentary.
I claim that a master of LANDR will never sound as good as any of mine or my colleagues in the same category of our business. But…
If you do not have high standards but just want a “good” sounding song then LANDR is for you. You only pay a fraction and get decent results that you do not have to be ashamed of.
I say all of this with a healthy dose of self-confidence because I know I’m better. But I do not need to bash services like LANDR either because I can acknowledge that they do a good job for what it is. Nothing more, nothing less. Also, I’m not religious about anything but always open for new technology and new ways of doing things.
It all depends on you and your needs. There are just things you cannot replace with an algorithm. I’m very much into all things A.I. and automation, but I also think I know where its limitations are.
There seems to be a rumour that I retired. Recently I also received messages from fans who asked me directly. I think it’s time to explain, and not just on this subject.
First of all: no. I haven’t retired, yet, nor do I plan so anytime soon. But I have either shut down or minimized certain activities that affect my work in the music industry, on the other hand, I draw my energy to other (and partially new) things.
About my management activities in the music industry
As you may know, I no longer work for FRISKY. I also removed my shows from the station, because I wanted it that way. I was not officially fired. At a certain point, FRISKY simply stopped communicating with me for reasons that to this day are incomprehensible to me, unless I suspected fraud. After all, I was the one who quit after nobody talked to me anymore. I got some sort of explanation (very much too late), but it wasn’t satisfactory at all. Despite the fact that it assumed completely false accusations that looked strongly like made up, for the sake of accusation. I can not spread the whole story publicly, it’s still a legal process that is far from over. I still have demands that I have to enforce in court.
With great pleasure I am Head of A&R for Pro B Tech Music. This job usually takes place in the background, which is why you do not notice much of it. But I am very busy. If you have demos, send them to me. 😉
I direct my energy more and more to the work in the studio. That means I produce, mix, master and compose a lot, both for myself and for clients. That’s great fun. I couldn’t imagine quitting this, ever. I will probably do this until my very last breath. I just love music too much.
I do that. Still. As long as I enjoy it and my time allows it. I don’t know when the time has come when it stops being enough fun to continue, but you will notice.
Quite clear: I’m picking out the really good ones. I’m tired of stupid discussions with promoters that do too much coke and have an incredibly inflated ego or want to fool me. I do not play for free drinks, travel expenses and hotel. BTW, I never did that.
To be honest: I have been involved in the music industry for about 25 years. I have experienced many beautiful things, seen many places and people and experienced unforgettable moments. But also many bitter disappointments. And I – 45 years old – do not feel like it anymore. Really not. I might be a bit stupid, but not that stupid.
And here is the most important thing…
Over the years, I have neglected far too many things. Friends and partnership, for example. Family. A normal life. I haven’t always given the really important people in my life the attention and energy they deserve. Although I always had the best intentions, I have been terrible on many subjects and fucked up opportunities.
At 45, I’m full of regrets that I need to process — believe it or not. Your own mistakes make you either go full retard (pardon the wording) or they make you humble and thoughtful. I want to be a better version of myself and live the life I could have lived earlier if I hadn’t clinged to stupid things and false perceptions. I also want to have more time and energy for private passions and hobbies, and I also want to really listen to the music I love more, not just skip through it, because I need to evaluate it.
I’m at an age where you do not have to get involved with everything or prove anything. I (almost) only do things that I enjoy doing. A few things I did before have only taken but not given back enough, or at all. Fuck this.
In a nutshell, I have no time or energy to waste. This life is short and will be over sooner or later, and I’m the only one responsible for my happiness until that day has come.
However, that’s the short explanation on the state of things. If necessary, I will explain more at some point. Thanks for your attention and for your support! I sincerely hope you understand what this is about, and what not.
I decided to offer all my music for which I own the copyrights* for free, now and in the future. “Free” means all music I have on my own label (L2 Music) can be downloaded for as low as zero (all currencies, smiles preferred) or for whatever amount you think is right, in the best possible quality! There are no hooks, eyelets or hidden conditions. There is just music.
You can either stream my music for free via Spotify or stream and/or download at Bandcamp.
*Digital downloads, not physical products, of course. I have no influence on the price of my music that I have signed with other labels, hence I can not offer this for free. But all of my albums are on my own label, and most of my non-dance-music productions.
Of course, I will still do paid remixes (and receive royalties for those), and sign my music to other labels, mostly dance music productions. But music on my own label (my albums etc.) will be free from now on.
Why am I doing this?
It’s simple, really. There is no point in asking you to pay for the download of music files anymore when you can stream it for free already. Those who like to listen to music in top quality (the audiophiles among you), there are the free or pay-what-you-want downloads at Bandcamp.
Nevertheless, I would like to ask each one of you to support me by becoming my patron:
Thank you, no matter if you’re just a listener or paying subscriber/downloader. You’re all equally valuable to me.
I am a musician. Not trying. Trying to be a musician is watching the first YouTube video on how to hold a guitar. Not what I have done for the past 15 years. That is BEING a musician.
You Sound Like…
I know you’re trying to be nice by putting me in good company, but musicians want to feel original. We don’t want to hear we sound like everyone else. That we’re unoriginal. It’s fine for you to sell your friends on listening to someone new by comparing them to well known artists, but when talking to a musician, the best compliment is “you sound like YOU and it’s awesome.” Unless you’re talking to a pop producer, then yeah, “it sounds like Katy Perry” is probably the best compliment you could give.
You Should Try Out For American Idol
I will slap you.
When Am I Going To Hear You On The Radio?
When your radio plays better shit.
You Should Be On The Voice
Because that’s a career builder. Right Jermaine?
You Must Love Karaoke
No, actually, I hate karaoke because I have to listen to you sing.
Can I Get On The List? Plus 1?
You don’t have $10 to support my music, but you have $50 for the round of shots you just bought everyone?
What’s Your Real Job?
It’s this little field called music. It’s way more real than those TPS reports you put together for the Bobs.
What’s Your Backup Plan
It Will Be Great Exposure
Meaning, it doesn’t pay. No thanks.
I Have A Great Idea For A Song
And I have a great idea on how you can fix my faucet better. But let’s keep these things to ourselves.
The average Base Salary for Beatport is $92,076 per year, ranging from $68,013 to $117,755. Salaries calculated from 97 profiles. Men outnumber women by 11 to 1. 69% Beatport employees are White. From recent job postings for Beatport applicants, we know that 56% of Beatport applicants need to know Mysql. From recent job postings for Beatport applicants, 54% of Beatport applicants need to have no degree.
Contrary to popular belief, it’s not Beatport that places the tracks in the genres, it’s the owners of the music, so the labels and artists are knowingly placing these tracks in the genres that we all get so frustrated with.
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