Why not LANDR?

You’ll probably expect a big and loud “NOOO” from me. I have to disappoint you. LANDR is good.

BOOM, there I dropped it: it’s good.

You get reasonable results for an unbeatable price. Fast, easy, very affordable. There are few good reasons not to use LANDR. But decisive, for example: it’s only good, not more, just good.

There is no human experienced audio engineer who brings his many years of experience and his sense of music and musicality into play. Nobody tells you if and how you can improve your mix, so that eventually the master gets better. Special requests are not considered by LANDR, corrections — of any kind — do not exist. You can not talk to anyone about the process and that’s why you do not learn anything, there is no feedback or commentary.

I claim that a master of LANDR will never sound as good as any of mine or my colleagues in the same category of our business. But…

If you do not have high standards but just want a “good” sounding song then LANDR is for you. You only pay a fraction and get decent results that you do not have to be ashamed of.

I say all of this with a healthy dose of self-confidence because I know I’m better. But I do not need to bash services like LANDR either because I can acknowledge that they do a good job for what it is. Nothing more, nothing less. Also, I’m not religious about anything but always open for new technology and new ways of doing things.

It all depends on you and your needs. There are just things you cannot replace with an algorithm. I’m very much into all things A.I. and automation, but I also think I know where its limitations are.

Rumours About My Retirement — A Statement

Ingo Vogelmann
Not retired, yet.

There seems to be a rumour that I retired. Recently I also received messages from fans who asked me directly. I think it’s time to explain, and not just on this subject.

First of all: no. I haven’t retired, yet, nor do I plan so anytime soon. But I have either shut down or minimized certain activities that affect my work in the music industry, on the other hand, I draw my energy to other (and partially new) things.

About my management activities in the music industry

As you may know, I no longer work for FRISKY. I also removed my shows from the station, because I wanted it that way. I was not officially fired. At a certain point, FRISKY simply stopped communicating with me for reasons that to this day are incomprehensible to me, unless I suspected fraud. After all, I was the one who quit after nobody talked to me anymore. I got some sort of explanation (very much too late), but it wasn’t satisfactory at all. Despite the fact that it assumed completely false accusations that looked strongly like made up, for the sake of accusation. I can not spread the whole story publicly, it’s still a legal process that is far from over. I still have demands that I have to enforce in court.

With great pleasure I am Head of A&R for Pro B Tech Music. This job usually takes place in the background, which is why you do not notice much of it. But I am very busy. If you have demos, send them to me. 😉

Studio work

I direct my energy more and more to the work in the studio. That means I produce, mix, master and compose a lot, both for myself and for clients. That’s great fun. I couldn’t imagine quitting this, ever. I will probably do this until my very last breath. I just love music too much.

Radio shows

I do that. Still. As long as I enjoy it and my time allows it. I don’t know when the time has come when it stops being enough fun to continue, but you will notice.

Gigs

Quite clear: I’m picking out the really good ones. I’m tired of stupid discussions with promoters that do too much coke and have an incredibly inflated ego or want to fool me. I do not play for free drinks, travel expenses and hotel. BTW, I never did that.

To be honest: I have been involved in the music industry for about 25 years. I have experienced many beautiful things, seen many places and people and experienced unforgettable moments. But also many bitter disappointments. And I – 45 years old – do not feel like it anymore. Really not. I might be a bit stupid, but not that stupid.

And here is the most important thing…

Over the years, I have neglected far too many things. Friends and partnership, for example. Family. A normal life. I haven’t always given the really important people in my life the attention and energy they deserve. Although I always had the best intentions, I have been terrible on many subjects and fucked up opportunities.

At 45, I’m full of regrets that I need to process — believe it or not. Your own mistakes make you either go full retard (pardon the wording) or they make you humble and thoughtful. I want to be a better version of myself and live the life I could have lived earlier if I hadn’t clinged to stupid things and false perceptions. I also want to have more time and energy for private passions and hobbies, and I also want to really listen to the music I love more, not just skip through it, because I need to evaluate it.

I’m at an age where you do not have to get involved with everything or prove anything. I (almost) only do things that I enjoy doing. A few things I did before have only taken but not given back enough, or at all. Fuck this.

In a nutshell, I have no time or energy to waste. This life is short and will be over sooner or later, and I’m the only one responsible for my happiness until that day has come.

However, that’s the short explanation on the state of things. If necessary, I will explain more at some point. Thanks for your attention and for your support! I sincerely hope you understand what this is about, and what not.

I do not sell my own music anymore

I decided to offer all my music for which I own the copyrights* for free, now and in the future. “Free” means all music I have on my own label (L2 Music) can be downloaded for as low as zero (all currencies, smiles preferred) or for whatever amount you think is right, in the best possible quality! There are no hooks, eyelets or hidden conditions. There is just music.

You can either stream my music for free via Spotify or stream and/or download at Bandcamp.

Bandcamp

*Digital downloads, not physical products, of course. I have no influence on the price of my music that I have signed with other labels, hence I can not offer this for free. But all of my albums are on my own label, and most of my non-dance-music productions.

Of course, I will still do paid remixes (and receive royalties for those), and sign my music to other labels, mostly dance music productions. But music on my own label (my albums etc.) will be free from now on.

Why am I doing this?

It’s simple, really. There is no point in asking you to pay for the download of music files anymore when you can stream it for free already. Those who like to listen to music in top quality (the audiophiles among you), there are the free or pay-what-you-want downloads at Bandcamp.

Nevertheless, I would like to ask each one of you to support me by becoming my patron:

Become a Patron!

Thank you, no matter if you’re just a listener or paying subscriber/downloader. You’re all equally valuable to me.

12 Things You Should Never Say To a Musician

  1. So Are You Trying To Be A Musician

    I am a musician. Not trying. Trying to be a musician is watching the first YouTube video on how to hold a guitar. Not what I have done for the past 15 years. That is BEING a musician.

  2. You Sound Like…

    I know you’re trying to be nice by putting me in good company, but musicians want to feel original. We don’t want to hear we sound like everyone else. That we’re unoriginal. It’s fine for you to sell your friends on listening to someone new by comparing them to well known artists, but when talking to a musician, the best compliment is “you sound like YOU and it’s awesome.” Unless you’re talking to a pop producer, then yeah, “it sounds like Katy Perry” is probably the best compliment you could give.

  3. You Should Try Out For American Idol

    I will slap you.

  4. When Am I Going To Hear You On The Radio?

    When your radio plays better shit.

  5. You Should Be On The Voice

    Because that’s a career builder. Right Jermaine?

  6. You Must Love Karaoke

    No, actually, I hate karaoke because I have to listen to you sing.

  7. Can I Get On The List? Plus 1?

    You don’t have $10 to support my music, but you have $50 for the round of shots you just bought everyone?

  8. What’s Your Real Job?

    It’s this little field called music. It’s way more real than those TPS reports you put together for the Bobs.

  9. What’s Your Backup Plan

    What’s yours?

  10. It Will Be Great Exposure

    Meaning, it doesn’t pay. No thanks.

  11. I Have A Great Idea For A Song

    And I have a great idea on how you can fix my faucet better. But let’s keep these things to ourselves.

  12. Free Bird

    That stopped being funny in ’97.

 

Source: 12 Things You Should Never Say To a Musician | Digital Music News

Beatport Salaries

The average Base Salary for Beatport is $92,076 per year, ranging from $68,013 to $117,755. Salaries calculated from 97 profiles. Men outnumber women by 11 to 1. 69% Beatport employees are White. From recent job postings for Beatport applicants, we know that 56% of Beatport applicants need to know Mysql. From recent job postings for Beatport applicants, 54% of Beatport applicants need to have no degree.

Source: Beatport Salaries | Paysa

Promoters: How it’s not being done

Annoyed-PicardI had a flight from Malaysia to Manila on Friday that I chose to be just in time to arrive at the airport, get picked up by the Missus and drive directly to my gig at The Electronica Festival. Everything was okay, although my flight had a delay of 45 minutes. Arriving there (the way to the venue already told lots about the venue itself) we immediately recognized that there weren’t a lot of people. No one was able to introduce me to anyone who was responsible for artists, I had to walk around for 20 minutes to find a DJ mate who was actually as lost as myself. We somehow got it managed to find our stage. Then there were no drinks for us, we were supposed to manage everything ourselves, including carrying cups of drinks from one bar 300 meters away from our stage, to have something to drink whilst performing. No one assisted us or gave us any comfort. In “exchange” I received like 400 texts from random (and unknown to me) people, “reminding” me of my performance on stage at 4AM. Actually, I started playing at 3.45AM already, but, of course, no one took notice of that, apart from some fans and fellow artists (thank you Emel and David) who enjoyed the set.

For some reason I started to feel really terrible like 1 hour into my set. Luckily the bathrooms were just behind the stage, so I went vomiting 2 times, but didn’t interrupt my set and tried to be as professional as I could. I think no one even noticed that I felt like shit. After my set, I randomly asked about who’s gonna pay out the talent fee, but no one was able to give a straight answer. To make a long story short: in the end I had to chase down responsible people for like half an hour and become VERY energetic, insisting on paying me my fee in full after a given performance. They tried to tell me that all would be paid out on Monday, but I stated that this is zero acceptable and not gonna happen, otherwise … you know what I mean. I can get very angry, and yes: intimidating, when I feel that someone tries to bullshit me.

After all, I can only hope my artist mates got/get a hold of their money and nothing more catastrophic happened. I texted one of the responsible persons afterwards to never contact or ask me again. I don’t want to work with totally unprofessional people. Go learn the business first, then organize events.

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