With “Hiraeth”, Ott delivers exactly what his fans expect: a deep dive into the immersive world of psychedelic dub and trip-hop. The intricate production, the warm layers of organic and electronic sounds, and the enveloping atmosphere make it clear that Ott remains a master of his craft. The album is classic Ott — detailed soundscapes that draw the listener into a rich, trippy audio journey.
Ott once described his creative process with a mix of humor and self-awareness:
“My entire approach could be summed up in terms of throwing shit at a wall and seeing what sticks. I do have a very slippery wall though, and my shit is made of Teflon.”
This playful analogy perfectly encapsulates his blend of experimentation and precision. While much of his work may begin in a freeform, trial-and-error style, the final product is anything but random. Hiraeth reflects this — rich, polished, and meticulously arranged, despite the playful chaos that might have sparked its creation. His music feels like the product of countless ideas, refined until only the most cohesive and immersive remain.
The overarching feeling of Hiraeth — a title for a track that I used before, a Welsh word for a deep longing or nostalgia for a home that may never have existed — runs through the entire album. This emotional undercurrent is perfectly reflected in the melancholic yet soothing atmosphere that defines the record. The production is flawless, the arrangements are lush, and the use of space and dynamics is truly masterful.
Yet, the album also exemplifies “You want Ott? You get Ott” — and therein lies its greatest strength, but also its limitation. For fans of Ott’s earlier works like “Mir” or “Skylon”, “Hiraeth” is everything they love, with its downtempo grooves, hypnotic rhythms, and warm, enveloping textures. But for those looking for a new twist, a bold departure, or even a subtle shift in direction, “Hiraeth” may feel a bit too familiar.
It’s been a while since Ott released a full studio album, and while his live shows with Ott & The All Seeing I gave fans a taste of something fresh, “Hiraeth” leans heavily on the established sound that made him a beloved figure in the psy-dub world. The album feels like a comfortable return home rather than a journey into uncharted territory. This album showcases Ott’s ability to craft beautiful, flowing pieces that are rich with detail—but they also feel like they could have fit seamlessly on his previous albums.
For listeners who crave something groundbreaking, “Hiraeth” might feel like a missed opportunity. The meticulous layering, the deep basslines, and the atmospheric swells and glitchy sequences and effects are all there, but the sense of innovation that defined Ott’s earlier work is somewhat gone. It’s as if Ott is playing it safe within his well-defined genre, rather than pushing the boundaries of what his music could be. This isn’t necessarily a bad thing — fans of his classic sound will find a lot to love here — but it does make “Hiraeth” feel like an album for the faithful rather than one that will expand his audience.
However, despite these (hopefully fair) criticisms, there are definitely those moments of brilliance scattered throughout the album, as one would expect from Ott. The careful balance of tension and release, and the way Ott uses space to create an almost meditative experience. His skill at building soundscapes that feel both organic and synthetic remains unparalleled.
In conclusion, “Hiraeth” is a strong addition to Ott’s discography, though it doesn’t break new ground. It’s an album that knows its audience and delivers exactly what they want: lush, psychedelic dub with all the familiar elements of Ott’s signature style. But while it’s a satisfying listen, it’s hard not to feel a lingering sense of hiraeth for the innovation that once defined his music.
Ultimately, “Hiraeth” is like reconnecting with an old friend: comforting, familiar, and satisfying — but without the surprises that make such reunions unforgettable.
I love this guy and his music. Buy and stream here.
Barock Project is a progressive rock band that has been enchanting audiences with their unique blend of classical influences and modern rock elements since their formation in 2003. Originating from Italy, the band was founded by Luca Zabbini, a talented keyboardist, composer, and multi-instrumentalist. Zabbini’s vision was to create a sound that combined the complexity and elegance of classical music with the energy and innovation of progressive rock.
Early Years and Formation
The band’s early works were heavily influenced by the giants of the progressive rock genre, such as Emerson, Lake & Palmer, Genesis, and Yes. Barock Project’s debut album, “Misteriose Voci”, was released in 2007 and immediately garnered attention for its sophisticated compositions and rich orchestral arrangements. This album set the tone for their future endeavors, showcasing Zabbini’s classical training and the band’s ability to weave intricate musical tapestries.
Rise to Prominence
Over the years, Barock Project continued to refine their sound, releasing several acclaimed albums. “Rebus” (2009) and “Coffee In Neukölln” (2012) further established their reputation in the progressive rock community. With each release, the band pushed the boundaries of their musical capabilities, incorporating more complex structures and diverse influences.
In 2015, Barock Project released “Skyline”, an album that marked a significant step forward in their artistic development. The album’s blend of progressive rock and symphonic elements received widespread praise, and it helped to solidify their standing as one of the leading acts in the modern prog rock scene.
Live Performances and Global Reach
Barock Project’s reputation for delivering powerful and engaging live performances has played a crucial role in their growing popularity. Their live album “Vivo” (2016), captured the energy and precision of their concerts, offering fans an immersive experience of their stage presence. The band’s tours have taken them across Europe and beyond, allowing them to connect with a global audience.
Recent Works and Evolution
The band’s subsequent albums, “Detachment” (2017) and “Seven Seas” (2019), continued to showcase their evolving sound and thematic depth. These releases were noted for their lyrical introspection and the band’s ability to create expansive, cinematic soundscapes.
Current Lineup
The current lineup of Barock Project includes:
Luca Zabbini: Keyboards, vocals, acoustic guitars, and primary composer
Alex Mari: Lead vocals and acoustic guitars
Eric Ombelli: Drums, percussion, and backing vocals
Marco Mazzuoccolo: Electric guitars
Francesco Caliendo: Bass guitar
“Time Voyager” and Beyond
In 2024, Barock Project released “Time Voyager”, an album that encapsulates their journey through time both musically and thematically. This ambitious concept album explores different temporal moments and dimensions, blending nostalgic elements with futuristic visions. It marks another milestone in their illustrious career, demonstrating their continued relevance and innovation in the progressive rock genre.
Barock Project’s dedication to their craft and their ability to seamlessly blend classical and modern influences make them a standout act in the progressive rock landscape. For new listeners, their discography offers a rich and rewarding journey through some of the most sophisticated and emotive music in contemporary progressive rock.
As someone deeply entrenched in the world of music production, with over 30 years of experience and a keen ear for progressive rock, I find “Time Voyager,” the latest release from Barock Project, to be a landmark achievement. This album, released on June 3, 2024, represents a profound exploration of time through a meticulously crafted sonic landscape.
Overview
“Time Voyager” is Barock Project’s seventh studio album and stands as a testament to their evolution as a band. The concept revolves around temporal journeys, with each track serving as a portal to different moments and dimensions. This ambitious theme is masterfully executed, blending nostalgia with futuristic elements to create a cohesive and immersive listening experience.
Track-by-Track Analysis
Carry On (6:35) The album opens with “Carry On,” a track that immediately sets a powerful tone with its dynamic structure and Alex Mari’s compelling vocals. The song features intricate instrumentation, with a blend of electric guitars and keyboards that create a layered, immersive experience.
Summer Set You Free (4:41) This track brings a lighter, more melodic feel to the album. The uplifting lyrics and breezy arrangements provide a refreshing contrast to the opener. The interplay between Luca Zabbini’s keyboards and Marco Mazzuoccolo’s guitar work stands out, creating a harmonious and feel-good atmosphere.
An Ordinary Day’s Odyssey (6:04) “An Ordinary Day’s Odyssey” takes the listener on a complex journey through sophisticated musical arrangements. The track features shifting time signatures and elaborate instrumental passages, showcasing the band’s technical prowess and creativity. The narrative arc of the song mirrors the concept of an epic odyssey through time.
The Lost Ship Tavern (4:40) This atmospheric track is enriched by the violin performance of guest musician Alessandro Bonetti. The haunting melodies and evocative lyrics transport the listener to a bygone era, fitting seamlessly into the album’s theme of temporal exploration.
Voyager (8:08) Serving as the centerpiece of the album, “Voyager” is an orchestral and cinematic masterpiece. It begins with a Vangelis-like synth introduction, evolving into a pulsating rhythm driven by keys and drums. The song’s narrative unfolds through heroic vocals and dynamic shifts, encapsulating the essence of the album’s concept.
Morning Train (6:08) “Morning Train” features a more reflective and introspective tone. The gentle acoustic guitars and soothing vocals create a serene atmosphere, making it a standout track for its emotional depth and simplicity. The song reflects on the passage of time and the quiet moments of life.
Propaganda (6:33) This track delves into more intense and politically charged themes. The aggressive instrumentation and powerful lyrics address themes of misinformation and societal control. The energetic performance and sharp, incisive lyrics make “Propaganda” a memorable and thought-provoking piece.
Shibuya 3 A.M. (4:30) Inspired by the vibrant nightlife of Tokyo’s Shibuya district, this track captures a dreamy, nocturnal atmosphere. The blend of synth, piano, and gentle percussion creates an evocative soundscape, reflecting themes of lost love and yearning. Luca Zabbini’s vocals add a personal touch to this introspective piece.
Lonely Girl (5:09) “Lonely Girl” opens with a jaunty key and guitar intro, progressing into a more complex and emotionally charged composition. The song’s structure conveys a sense of frustration and longing, punctuated by Eric Ombelli’s rhythmic drumming and energetic rock passages filled with strings and organ work.
Mediterranean (5:17) This track brings a sunny and optimistic mood, characterized by Francesco Caliendo’s subtle bass lines and bright piano passages. The song evolves into a dazzling display of organ and electric guitar, capturing the essence of the Mediterranean’s warmth and vibrancy.
Kyanite Jewel (5:35) “Kyanite Jewel” features the delicate acoustic guitar work of Eric Ombelli, alongside his vocals. The song’s serene and peaceful quality is reminiscent of the blue metamorphic jewel it is named after, believed to have healing properties. This track promotes a sense of inner peace and tranquility.
Voyager’s Homecoming (7:36) The album concludes with “Voyager’s Homecoming,” a dramatic and powerful piece that brings the journey full circle. The track features a blend of heavy guitar, keys, and drums, leading to a triumphant and celebratory finale. The synthesizer sweeps and harmonic vocals convey the protagonist’s return, wrapping up the album’s narrative arc beautifully.
My Personal Highlights
Sorry, there are none, because they all are. Each in their own way. Maybe I have slight issues with The Lost Ship Tavern, but that’d be nitpicking. And just maaaaaybe I prefer Voyager’s Homecoming over all others a bit, but not massively. But in all honesty, there’s not a single filler or bummer in there.
Virtuoso Playing
The musicianship on “Time Voyager” is nothing short of virtuosic, as on every Barock Project album. Luca Zabbini’s masterful command of keyboards and synthesizers lays a complex and lush foundation throughout the album. His ability to blend classical influences with modern progressive rock elements is a testament to his skill and artistic vision. Marco Mazzuoccolo’s guitar work is equally impressive, ranging from delicate acoustic passages to powerful and technically highly challenging solos that drive the album’s emotional core. Eric Ombelli’s drumming is on an exceptional technical level, ultra-precise and dynamic, providing the rhythmic backbone that propels each track forward with energy and sophistication. Francesco Caliendo’s bass lines add depth and texture, perfectly complementing the intricate arrangements. Together, these musicians create a sound that is both technically proficient and deeply emotive, showcasing their collective talent and synergy as a band.
Oh, and I know that the guys are able to showcase the same abilities in a live setting.
Production Quality
Produced by Luca Zabbini and co-produced by Eric Ombelli, the production quality of “Time Voyager” is exceptional. The album’s sound is lush and expansive, with every instrument meticulously placed in the mix. All band members deliver stellar performances, as mentioned earlier (but I can’t mention that often enough).
Final Thoughts
“Time Voyager” is more than just an album; it’s an experience. Barock Project has successfully navigated the complexities of progressive rock while staying true to their unique sound. The album’s thematic depth and musical sophistication make it a standout release (not just) in 2024 and a must-listen for any fan of the genre, and beyond.
For those interested in diving deeper into this musical journey, “Time Voyager” is available on Barock Project’s official website. This album is poised to be a defining moment in Barock Project’s career and a significant contribution to the progressive rock landscape.
Listen, I’ve got something very obvious to tell you. You’re not allowed to give up. If they decide to kill me, it means that we are incredibly strong.
Alexei Navalny
As the world lies in shambles, I find myself wrestling with a sorrow that feels as vast as the night sky. The news of Alexei Navalny’s passing isn’t just a headline; it’s a tragedy that leaves a huge void in my heart. Navalny, a beacon of hope in the oppressive gloom of Putin’s Russia, has been extinguished, and with him, a piece of my own hope dims.
This loss is weirdly personal. Navalny’s courage, his unyielding stand against a regime that knows no bounds of cruelty, has always been a source of inspiration for me. His fight was not just for the soul of Russia but for the universal values of freedom and justice. To know that his voice has been silenced is to feel a cold shadow fall over the very ideals I hold dear.
The comparison between Putin and the tyrants of history, like Hitler, is a stark reminder of the darkness that can consume nations when power is unchecked. Navalny stood against this darkness, armed with nothing but his conviction and the belief in a better future. His murder is a chilling testament to the lengths tyrants will go to maintain their grip on power, and it echoes a history we’ve vowed never to repeat.
I struggle to find words that can adequately express the depth of my grief. It’s a sadness that seeps into the bones, a sense of hopelessness that is hard to shake. Navalny’s fight, his sacrifice, resonates with a part of me that believes in the power of standing up for what is right, even in the face of insurmountable odds.
This isn’t just the mourning of a public figure; it’s the mourning of a kindred spirit, a fellow warrior in the fight for a world where justice prevails. Yet, in this moment of deep sorrow, I am reminded of the resilience of the human spirit. Navalny’s legacy is not just in the battles he fought but in the indomitable will he embodied. It’s a legacy that challenges us to carry forward the torch of freedom, to stand against tyranny with the same courage and determination.
As I navigate through a sea of sadness, I am struck by the realization that our fight is far from over. Navalny’s spirit, his unwavering belief in a better future, serves as a beacon in these dark times. It’s a call to action, a reminder that we must continue the struggle for justice, for freedom, for the very soul of our humanity.
In honoring Navalny’s memory, I find a glimmer of hope amidst the despair. It’s a hope that springs from the conviction that ultimately, light will prevail over darkness. This journey is fraught with pain and loss, but it’s a journey we must undertake, inspired by the lives of those like Navalny, who dared to dream of a better world.
To Alexei, your passing has left a void that words cannot fill. But in my heart, and in the hearts of countless others, your legacy lives on. You inspire everyone to fight for for freedom.
Rest in peace, Alexei Navalny. Your battle may have ended, but your spirit marches on, a guiding light in our darkest hours.
Alexei Navalny has two children. He is survived by his daughter, Daria Navalnaya, and his son, Zakhar Navalny. Daria has been notably active and vocal in advocating for her father’s release and human rights in Russia, especially during the periods of his imprisonment. The involvement of his family, particularly Daria, in speaking out against the injustices faced by Navalny has brought a personal dimension to his political struggle, highlighting the impact of his fight not just on the political landscape but on his family as well.
To Navalny’s wife, children, family, and friends: your pain is felt by those of us who, from afar, have admired and been inspired by Alexei’s courage. I cannot begin to comprehend the depth of your loss, but I stand with you in your grief, honoring the memory of a man who gave everything for the belief in a better world.
