Update on the album production

The album

I’ve done around 30 different mixes, tried like 10 different guitars, mixing the drum kit and making it sounding right has taken an incredible amount of time, I’ve tweaked the tiniest bits of sound to total exhaustion.

Should the grand piano have more mechanical noises… should the timpani have slightly more reverb… should the guitar have a delay or not, should I add the cello on top of the full orchestra, or an oboe? Should I widen the acoustic guitar or leave it as is? Is this chord harmonic enough for the one before? Is the Oberheim too loud? Should I use the Gibson EB0 or the Les Paul bass, finger or pick? Stratocaster or Telecaster? This or that cabinet, or none at all, what amp? Distortion or slight fuzz, tremolo?

The pains of creating an album…

Questions like that are bothering me all the time. And the production is so huge that my DAW crashes at least 3 times a day. Plus, anxiety, doubts… because “is it all worth it? Will they understand it?”. Sleepless nights. Then again: “fuck yeah!”. It all sounds absolutely heavenly, I get goosebumps all the time. And nothing is even mastered at all.

I have half of the album sounding as perfect as it gets, with the needed amount of imperfection to become perfect. I open parts of it again, again and again… stuff that I did a year ago that doesn’t sound right today, and may sound not right next week. You get the idea. 😉

No worries, it’s all good. It’s finished very soon. Once it’s done I have nothing to do with it anymore. Then it’s a product with a life of its own, and I will watch it learning to walk.

I will reply to all of your questions in a video that I’ll upload to Facebook and YouTube, very soon.

Album, Berlin, Bernhard, cake and gigs

I have a few new things to update you on.

  1. I have a new bio! No, really. It’s good, I love it. It’s the best bio God has ever created, it’s amazing, it’s terrific.
  2. Finalizing the album takes longer than wished, because I’ve been swamped with a gazillion tasks from my quadrillion jobs I (pretend to) have. But (!) on one hand it’ll be finished later, on the other you will have it earlier, because I found a very nice solution for how to deliver it to you. More on this in another post. In case you haven’t listened to the little medley I’ve put together, here it is:
  3. Bernhard and my tired looking self had a much needed writing session in his Berlin studio. Bernhard is addicted to cake and in denial about that. Just saying.

    During my visit for a gig in Berlin last week I’ve found the time to (finally!) collaborate with my good friend, legend and all-over genius Bernhard Wöstheinrich (you have to check out his stuff, trust me!). Not only has it been a wonderful time with someone I dearly cherish, we’ve also worked on 3 tunes that sound crazy awesome (more is planned, of course), and the titles and the name for our new project are just as promising (and weird) as the music itself. Bernhard’s almost impossible wizard-like contributions to the project are, well … almost impossible to describe. The wizardry is strong on this one, that’s for sure. We will reveal details on this as soon as we can. And maybe — we really don’t know that, yet — we even perform our stuff live. Like in “playing instruments on stage”. First, let’s finish that music. Also, we are looking for the right label for this. Early interest is welcome.

  4. New gigs all across Europe are in the making. That means, basically: words are being talked. As you know, this doesn’t always result in satisfying results. Plus, right now I really need to get my shit together, regarding finishing the album, which has top priority. In case you’re a promoter, we’re always happy about your interest in booking me, though.

Thanks for reading. 😉