With “Hiraeth”, Ott delivers exactly what his fans expect: a deep dive into the immersive world of psychedelic dub and trip-hop. The intricate production, the warm layers of organic and electronic sounds, and the enveloping atmosphere make it clear that Ott remains a master of his craft. The album is classic Ott — detailed soundscapes that draw the listener into a rich, trippy audio journey.
Ott once described his creative process with a mix of humor and self-awareness:
“My entire approach could be summed up in terms of throwing shit at a wall and seeing what sticks. I do have a very slippery wall though, and my shit is made of Teflon.”
This playful analogy perfectly encapsulates his blend of experimentation and precision. While much of his work may begin in a freeform, trial-and-error style, the final product is anything but random. Hiraeth reflects this — rich, polished, and meticulously arranged, despite the playful chaos that might have sparked its creation. His music feels like the product of countless ideas, refined until only the most cohesive and immersive remain.
The overarching feeling of Hiraeth — a title for a track that I used before, a Welsh word for a deep longing or nostalgia for a home that may never have existed — runs through the entire album. This emotional undercurrent is perfectly reflected in the melancholic yet soothing atmosphere that defines the record. The production is flawless, the arrangements are lush, and the use of space and dynamics is truly masterful.
Yet, the album also exemplifies “You want Ott? You get Ott” — and therein lies its greatest strength, but also its limitation. For fans of Ott’s earlier works like “Mir” or “Skylon”, “Hiraeth” is everything they love, with its downtempo grooves, hypnotic rhythms, and warm, enveloping textures. But for those looking for a new twist, a bold departure, or even a subtle shift in direction, “Hiraeth” may feel a bit too familiar.
It’s been a while since Ott released a full studio album, and while his live shows with Ott & The All Seeing I gave fans a taste of something fresh, “Hiraeth” leans heavily on the established sound that made him a beloved figure in the psy-dub world. The album feels like a comfortable return home rather than a journey into uncharted territory. This album showcases Ott’s ability to craft beautiful, flowing pieces that are rich with detail—but they also feel like they could have fit seamlessly on his previous albums.
For listeners who crave something groundbreaking, “Hiraeth” might feel like a missed opportunity. The meticulous layering, the deep basslines, and the atmospheric swells and glitchy sequences and effects are all there, but the sense of innovation that defined Ott’s earlier work is somewhat gone. It’s as if Ott is playing it safe within his well-defined genre, rather than pushing the boundaries of what his music could be. This isn’t necessarily a bad thing — fans of his classic sound will find a lot to love here — but it does make “Hiraeth” feel like an album for the faithful rather than one that will expand his audience.
However, despite these (hopefully fair) criticisms, there are definitely those moments of brilliance scattered throughout the album, as one would expect from Ott. The careful balance of tension and release, and the way Ott uses space to create an almost meditative experience. His skill at building soundscapes that feel both organic and synthetic remains unparalleled.
In conclusion, “Hiraeth” is a strong addition to Ott’s discography, though it doesn’t break new ground. It’s an album that knows its audience and delivers exactly what they want: lush, psychedelic dub with all the familiar elements of Ott’s signature style. But while it’s a satisfying listen, it’s hard not to feel a lingering sense of hiraeth for the innovation that once defined his music.
Ultimately, “Hiraeth” is like reconnecting with an old friend: comforting, familiar, and satisfying — but without the surprises that make such reunions unforgettable.
I love this guy and his music. Buy and stream here.
Disclaimer: While this isn’t a review of the piece in the classical sense, and I’m not really a Coldplay fan, it certainly is an appreciation. I’m happy to admit that. I do respect the work and courage that has gone into this brilliant piece of music that is neither commercially exploitable nor radio friendly or anything of that sort. It seems to me that Coldplay just felt like doing that song out of musical and artistical aspirations (I could be wrong, though), which I think is not only most respectable (in case I’m not wrong) but also the only reason why people should be creating music. Oh, I have done zero research on the song or the aspirations of the band to do it, so this is just my assumption or maybe even a wild guess.
“Coloratura” is the epic conclusion of Coldplay’s ninth studio album, “Music of the Spheres,” released in 2021. At 10:18 minutes long, it’s one of the band’s most ambitious pieces, reminiscent of the great concept works of the Progressive Rock era. The song stands out due to its length, structure, and thematic depth, setting it apart from the band’s typical radio hits.
Musical Structure and Style
“Coloratura” is divided into several sections, each exploring different musical styles and atmospheres. The song begins with a gentle piano intro, creating a calm and almost meditative mood. As the piece progresses, complex harmonies and melodic lines develop, complemented by orchestral arrangements and electronic elements.
Introduction (0:00 – 1:30): The song starts with a slow, atmospheric piano melody accompanied by soft synthesizer sounds. This introduction sets a celestial mood, preparing the listener for the musical journey ahead.
First Main Section (1:30 – 4:30): Chris Martin’s vocals enter, supported by a restrained instrumental arrangement. The melody is clear and catchy, while the lyrics introduce cosmic and philosophical themes. This section gradually builds tension.
Interlude (4:30 – 6:00): An instrumental interlude leads into the next part of the song. Here, orchestral elements become more prominent, with strings and brass creating a dense and emotional soundscape.
Second Main Section (6:00 – 8:00): The song picks up momentum again, with more powerful vocals and a dynamic arrangement. Guitar riffs and drums become more prominent, while the lyrics take a narrative turn, providing deeper insights into the thematic content.
Finale (8:00 – 10:18): The final section of the song is a crescendo of orchestral and electronic sounds, culminating in a triumphant and emotional climax. The vocals become more intense, and the instrumentation reaches its peak before the song gently fades out.
Lyric Analysis
The lyrics of “Coloratura” are rich in metaphorical and pictorial representations. The title itself refers to a particular style of singing, showcasing virtuosity and expressiveness.
Cosmic Metaphors: The lyrics are full of references to the universe, stars, and planets. These cosmic images serve as metaphors for the quest for knowledge and understanding.
Example: “In this crazy world, it’s true, I just want you.” This line can be interpreted as an expression of the desire for stability and meaning in a chaotic world.
Philosophical Reflections: The lyrics invite the listener to reflect on their own existence and the role of humanity in the universe.
Example: “And if you know, if you ever lose your way, in this crazy world.” Here, the idea of orientation and the loss of direction in a complex reality is addressed.
Themes and Message
“Coloratura” explores the wonder of the vastness of the universe and the search for meaning in the face of infinity. The song conveys a message of hope, curiosity, and awe at the beauty of life.
Production and Sound
The production of “Coloratura” is top-notch, reflecting Coldplay’s attention to detail and sound quality. The sound is rich and layered, with clearly defined instrumental tracks and a balanced mix that allows each element to shine.
Soundscapes: The use of synthesizers, strings, and traditional rock instruments creates a deep and immersive soundscape. The production emphasizes dynamics and contrast, making the song both captivating and emotional.
Vocal Performance: Chris Martin’s vocals are powerful and expressive, covering a wide emotional range. His voice is skillfully integrated into the mix, delivering both intimacy and epic grandeur.
Personnel and Roles
Chris Martin: Lead vocals, piano, songwriting. Martin’s distinctive voice and emotional delivery are central to the song’s impact.
Jonny Buckland: Lead guitar, songwriting. Buckland’s guitar work adds depth and dynamism to the song.
Guy Berryman: Bass, songwriting. Berryman provides the rhythmic foundation and contributes to the song’s textural richness.
Will Champion: Drums, percussion, songwriting. Champion’s drumming is versatile, supporting the song’s shifting dynamics.
Phil Harvey: Creative director. Harvey has long been a close collaborator with the band, contributing to the creative vision and execution.
Additionally, the following individuals played crucial roles in the production and final sound of the song:
Max Martin: Producer. Martin, a renowned music producer, led the production process, ensuring the song achieved its unique and polished sound.
Oscar Holter: Producer. Holter worked alongside Max Martin in shaping the song’s sound.
Bill Rahko: Engineer. Rahko was responsible for recording and mixing the song, crucial for the sound quality and balance of the various elements.
Randy Merrill: Mastering engineer. Merrill mastered the song, giving it the final polish to ensure it sounds great across all platforms and formats.
So?
With “Coloratura,” Coldplay boldly ventures into new musical territory, moving away from their typical pop sound. The decision to create a progressive, orchestral piece over ten minutes long showcases the band’s pursuit of creative evolution and artistic depth. This departure from conventional pop is a courageous step, underscoring their willingness to innovate and commitment to musical diversity.
“Coloratura” is a masterful work and an epic journey through various musical landscapes and themes, engaging the listener both intellectually and emotionally. With its complex structure, rich arrangements, and profound lyrics, “Coloratura” stands out as a highlight in Coldplay’s discography and a testament to their artistic growth. The collaboration between band members and the expertise of the involved producers and technicians has created an impressive musical experience. Coldplay’s brave step into these musical realms deserves praise, and prog lovers around the world can only hope this wasn’t a one-off experiment.
Barock Project is a progressive rock band that has been enchanting audiences with their unique blend of classical influences and modern rock elements since their formation in 2003. Originating from Italy, the band was founded by Luca Zabbini, a talented keyboardist, composer, and multi-instrumentalist. Zabbini’s vision was to create a sound that combined the complexity and elegance of classical music with the energy and innovation of progressive rock.
Early Years and Formation
The band’s early works were heavily influenced by the giants of the progressive rock genre, such as Emerson, Lake & Palmer, Genesis, and Yes. Barock Project’s debut album, “Misteriose Voci”, was released in 2007 and immediately garnered attention for its sophisticated compositions and rich orchestral arrangements. This album set the tone for their future endeavors, showcasing Zabbini’s classical training and the band’s ability to weave intricate musical tapestries.
Rise to Prominence
Over the years, Barock Project continued to refine their sound, releasing several acclaimed albums. “Rebus” (2009) and “Coffee In Neukölln” (2012) further established their reputation in the progressive rock community. With each release, the band pushed the boundaries of their musical capabilities, incorporating more complex structures and diverse influences.
In 2015, Barock Project released “Skyline”, an album that marked a significant step forward in their artistic development. The album’s blend of progressive rock and symphonic elements received widespread praise, and it helped to solidify their standing as one of the leading acts in the modern prog rock scene.
Live Performances and Global Reach
Barock Project’s reputation for delivering powerful and engaging live performances has played a crucial role in their growing popularity. Their live album “Vivo” (2016), captured the energy and precision of their concerts, offering fans an immersive experience of their stage presence. The band’s tours have taken them across Europe and beyond, allowing them to connect with a global audience.
Recent Works and Evolution
The band’s subsequent albums, “Detachment” (2017) and “Seven Seas” (2019), continued to showcase their evolving sound and thematic depth. These releases were noted for their lyrical introspection and the band’s ability to create expansive, cinematic soundscapes.
Current Lineup
The current lineup of Barock Project includes:
Luca Zabbini: Keyboards, vocals, acoustic guitars, and primary composer
Alex Mari: Lead vocals and acoustic guitars
Eric Ombelli: Drums, percussion, and backing vocals
Marco Mazzuoccolo: Electric guitars
Francesco Caliendo: Bass guitar
“Time Voyager” and Beyond
In 2024, Barock Project released “Time Voyager”, an album that encapsulates their journey through time both musically and thematically. This ambitious concept album explores different temporal moments and dimensions, blending nostalgic elements with futuristic visions. It marks another milestone in their illustrious career, demonstrating their continued relevance and innovation in the progressive rock genre.
Barock Project’s dedication to their craft and their ability to seamlessly blend classical and modern influences make them a standout act in the progressive rock landscape. For new listeners, their discography offers a rich and rewarding journey through some of the most sophisticated and emotive music in contemporary progressive rock.
As someone deeply entrenched in the world of music production, with over 30 years of experience and a keen ear for progressive rock, I find “Time Voyager,” the latest release from Barock Project, to be a landmark achievement. This album, released on June 3, 2024, represents a profound exploration of time through a meticulously crafted sonic landscape.
Overview
“Time Voyager” is Barock Project’s seventh studio album and stands as a testament to their evolution as a band. The concept revolves around temporal journeys, with each track serving as a portal to different moments and dimensions. This ambitious theme is masterfully executed, blending nostalgia with futuristic elements to create a cohesive and immersive listening experience.
Track-by-Track Analysis
Carry On (6:35) The album opens with “Carry On,” a track that immediately sets a powerful tone with its dynamic structure and Alex Mari’s compelling vocals. The song features intricate instrumentation, with a blend of electric guitars and keyboards that create a layered, immersive experience.
Summer Set You Free (4:41) This track brings a lighter, more melodic feel to the album. The uplifting lyrics and breezy arrangements provide a refreshing contrast to the opener. The interplay between Luca Zabbini’s keyboards and Marco Mazzuoccolo’s guitar work stands out, creating a harmonious and feel-good atmosphere.
An Ordinary Day’s Odyssey (6:04) “An Ordinary Day’s Odyssey” takes the listener on a complex journey through sophisticated musical arrangements. The track features shifting time signatures and elaborate instrumental passages, showcasing the band’s technical prowess and creativity. The narrative arc of the song mirrors the concept of an epic odyssey through time.
The Lost Ship Tavern (4:40) This atmospheric track is enriched by the violin performance of guest musician Alessandro Bonetti. The haunting melodies and evocative lyrics transport the listener to a bygone era, fitting seamlessly into the album’s theme of temporal exploration.
Voyager (8:08) Serving as the centerpiece of the album, “Voyager” is an orchestral and cinematic masterpiece. It begins with a Vangelis-like synth introduction, evolving into a pulsating rhythm driven by keys and drums. The song’s narrative unfolds through heroic vocals and dynamic shifts, encapsulating the essence of the album’s concept.
Morning Train (6:08) “Morning Train” features a more reflective and introspective tone. The gentle acoustic guitars and soothing vocals create a serene atmosphere, making it a standout track for its emotional depth and simplicity. The song reflects on the passage of time and the quiet moments of life.
Propaganda (6:33) This track delves into more intense and politically charged themes. The aggressive instrumentation and powerful lyrics address themes of misinformation and societal control. The energetic performance and sharp, incisive lyrics make “Propaganda” a memorable and thought-provoking piece.
Shibuya 3 A.M. (4:30) Inspired by the vibrant nightlife of Tokyo’s Shibuya district, this track captures a dreamy, nocturnal atmosphere. The blend of synth, piano, and gentle percussion creates an evocative soundscape, reflecting themes of lost love and yearning. Luca Zabbini’s vocals add a personal touch to this introspective piece.
Lonely Girl (5:09) “Lonely Girl” opens with a jaunty key and guitar intro, progressing into a more complex and emotionally charged composition. The song’s structure conveys a sense of frustration and longing, punctuated by Eric Ombelli’s rhythmic drumming and energetic rock passages filled with strings and organ work.
Mediterranean (5:17) This track brings a sunny and optimistic mood, characterized by Francesco Caliendo’s subtle bass lines and bright piano passages. The song evolves into a dazzling display of organ and electric guitar, capturing the essence of the Mediterranean’s warmth and vibrancy.
Kyanite Jewel (5:35) “Kyanite Jewel” features the delicate acoustic guitar work of Eric Ombelli, alongside his vocals. The song’s serene and peaceful quality is reminiscent of the blue metamorphic jewel it is named after, believed to have healing properties. This track promotes a sense of inner peace and tranquility.
Voyager’s Homecoming (7:36) The album concludes with “Voyager’s Homecoming,” a dramatic and powerful piece that brings the journey full circle. The track features a blend of heavy guitar, keys, and drums, leading to a triumphant and celebratory finale. The synthesizer sweeps and harmonic vocals convey the protagonist’s return, wrapping up the album’s narrative arc beautifully.
My Personal Highlights
Sorry, there are none, because they all are. Each in their own way. Maybe I have slight issues with The Lost Ship Tavern, but that’d be nitpicking. And just maaaaaybe I prefer Voyager’s Homecoming over all others a bit, but not massively. But in all honesty, there’s not a single filler or bummer in there.
Virtuoso Playing
The musicianship on “Time Voyager” is nothing short of virtuosic, as on every Barock Project album. Luca Zabbini’s masterful command of keyboards and synthesizers lays a complex and lush foundation throughout the album. His ability to blend classical influences with modern progressive rock elements is a testament to his skill and artistic vision. Marco Mazzuoccolo’s guitar work is equally impressive, ranging from delicate acoustic passages to powerful and technically highly challenging solos that drive the album’s emotional core. Eric Ombelli’s drumming is on an exceptional technical level, ultra-precise and dynamic, providing the rhythmic backbone that propels each track forward with energy and sophistication. Francesco Caliendo’s bass lines add depth and texture, perfectly complementing the intricate arrangements. Together, these musicians create a sound that is both technically proficient and deeply emotive, showcasing their collective talent and synergy as a band.
Oh, and I know that the guys are able to showcase the same abilities in a live setting.
Production Quality
Produced by Luca Zabbini and co-produced by Eric Ombelli, the production quality of “Time Voyager” is exceptional. The album’s sound is lush and expansive, with every instrument meticulously placed in the mix. All band members deliver stellar performances, as mentioned earlier (but I can’t mention that often enough).
Final Thoughts
“Time Voyager” is more than just an album; it’s an experience. Barock Project has successfully navigated the complexities of progressive rock while staying true to their unique sound. The album’s thematic depth and musical sophistication make it a standout release (not just) in 2024 and a must-listen for any fan of the genre, and beyond.
For those interested in diving deeper into this musical journey, “Time Voyager” is available on Barock Project’s official website. This album is poised to be a defining moment in Barock Project’s career and a significant contribution to the progressive rock landscape.
