Beyond Words: Why the Generic Masculine Still Holds Value

In a world that’s constantly changing, where every word is dissected and every phrase analyzed, the debate over the generic masculine stands as a testament to the complexities of language and society. Words are tools, yes, but they are also more than that. They are the framework through which we interpret the world, and yet they are not the world itself. They are symbols, and like all symbols, they are subject to interpretation. Just like my music, which is mostly without lyrics. But despite that, music is a form of communication. It’s language, subject to interpretation.

The generic masculine has come under fire. Critics argue that it’s a relic, a leftover from a time when men were the default, the standard, the norm. They call for new language, inclusive language, language that reflects the diversity of human experience. But here’s the thing: language is a reflection of the mind, and the mind is where discrimination takes root. You can change the words all you want, but if the mind remains unaltered, you’ve achieved nothing. You’ve put a new coat of paint on a crumbling wall.

Before we go any further, let’s make one thing clear: the issue of gender identity is a separate matter altogether. My stance on the generic masculine should not be conflated with my views on gender identity. I am the best man to a queer couple, comprised of a trans woman and a cis woman. I understand that there are individuals who feel they were born into the wrong gender, and I respect their journey. This is not about denying the complexities of gender identity; it’s about the complexities of language and interpretation.

Equality, for me, is not just a matter of words; it’s a matter of action. It’s embedded in my daily behavior, emanating from my core beliefs. When I use the generic masculine, I do so with the full understanding that I am referring to all genders. My use of the term is not a reflection of bias or exclusion, but a linguistic choice rooted in a broader perspective of equality.

This brings me to the topic of gendered language, a subject that has become increasingly contentious. I reject the push for gendered language for two fundamental reasons. First, we already have a well-functioning language. It has evolved over centuries, shaped by countless influences, and it serves its purpose well. To dismantle it in the name of progress is to ignore the richness and complexity that make it what it is. Second, language and culture cannot be forced; they must evolve organically. You can’t dictate how people speak or think; you can only influence it. And influence is a slow, gradual process, one that takes place over generations, not overnight.

Interpretation is a tricky thing. It’s influenced by our experiences, our culture, our personal biases. When you hear the word “man,” you bring to it a lifetime of experiences that color its meaning. It’s never just a word; it’s a word seen through the lens of your life. And that lens is never neutral; it’s always weighted, always influenced by a myriad of factors that you may not even be aware of. You hear “man,” and you think “human,” encompassing both male and female. Someone else hears “man,” and they think “male.” Neither interpretation is right or wrong; they’re just different, shaped by different lives, different experiences.

And that brings us to the crux of the matter: responsibility. I can’t control how you interpret my words. I can’t control the lens through which you see the world. I can only control my own lens, my own interpretation. And for the vast majority of people, “man” means “human,” irrespective of gender. When I use the generic masculine, I do so with the understanding that it includes everyone, not just one sex or gender. I don’t intend to discriminate or to exclude. But I also can’t be responsible for how you interpret my words. That’s your responsibility, shaped by your lens, your life.

So where does that leave us? It leaves us with a choice. We can focus on the words, dissect them, analyze them, change them. Or we can focus on the real issue: the mind. Changing the words without changing the mind achieves nothing. It’s a superficial solution to a deep-rooted problem. But change the mind, and the words will follow naturally. They’ll become what they were always meant to be: tools to communicate, not the final destination.

black and white book composing document

A Psychological Guide to Harmonic Mixing and Composing

Harmonic mixing is an advanced technique used by top DJs and producers worldwide. It involves mixing tracks that are in the same or related keys, enabling long blends and mashups. The Simple Harmonic Mixing Tool on my website is designed to make this process even more straightforward. It’s an evolution of the Camelot Wheel, providing you with a unique code for each of the 24 possible musical keys (12 major and 12 minor keys). This tool is not just for DJs but also for music theory students and musicians who want to better understand the relationships between different musical keys.

The Emotional Landscape of Musical Keys

Understanding the emotional nuances of each key can add another layer of depth to your mixes or compositions. Let’s delve into the psychological characteristics of each key, along with examples from the electronic music world to illustrate these points.

Major Keys

  1. C Major (8B): Often considered the “default” key in Western music, C Major is straightforward and lacks sharps or flats. It’s the key of choice for simplicity and purity, often used to convey innocence and straightforward emotions.
    • Example: “Xtal” by Aphex Twin captures a sense of nostalgia and simplicity, making it a go-to for ambient sets.

  2. Db Major (3B): A somewhat rare key that’s often used for unique, ethereal sounds. It can evoke a sense of mystery or otherworldliness.
    • Example: “Polygon Window” by Aphex Twin uses this key to create a haunting, yet ethereal atmosphere.

  3. D Major (10B): Known for its uplifting and triumphant feel, D Major is frequently used to convey joy and happiness. It’s a key that’s often used to elevate the mood of a piece, making it ideal for peak moments in a set.
    • Example: “Spastik” by Plastikman uses this key to create a hypnotic, yet uplifting atmosphere.

  4. Eb Major (5B): This key is often used to convey a sense of majesty and grandiosity. It’s the key of the epic, of the grandiose, often used in anthemic tracks.
    • Example: “Strings of Life” by Derrick May uses this key to create a sense of uplifting grandeur.

  5. E Major (12B): Known for its majestic and heroic qualities, E Major is often used in anthems and other grandiose pieces. It can evoke a sense of grandeur and majesty, making it ideal for tracks that aim to inspire or uplift.
    • Example: “Why Does the World Exist” by Max Cooper offers a complex, yet majestic auditory experience.

  6. F Major (7B): Known for its warmth and harmony, F Major is often used in songs that offer comfort, solace, and a sense of belonging. It’s a key that can evoke a sense of warmth and envelopment, making it ideal for more introspective moments in a set.
    • Example: “Vanishing Point” by Matrixxman uses this key to create a warm, enveloping soundscape.

  7. Gb Major (2B): A rare key that’s often used to convey complex emotional textures. It can evoke a sense of complexity and depth, making it ideal for tracks that aim to provoke thought or introspection.
    • Example: “Mentasm” by Second Phase uses this key to create a complex, thought-provoking atmosphere.

  8. G Major (9B): Often associated with the pastoral and the rustic, G Major is the key of the outdoors, of the countryside, and of the simple life. It can evoke a sense of earthiness and groundedness.
    • Example: “Tha” by Aphex Twin captures a sense of pastoral tranquility, making it ideal for more laid-back moments.

  9. Ab Major (4B): Known for its dreamy and heavenly qualities, Ab Major is often used to convey a sense of ethereal beauty. It’s the key of the otherworldly, of the sublime, often used in tracks that aim to evoke a sense of dreaminess or transcendence.
    • Example: “Energy Flash” by Joey Beltram captures a sense of ethereal intensity, making it a go-to for more transcendent moments.

  10. A Major (11B): A bright and cheerful key, A Major is often used in songs that are upbeat, happy, and optimistic. It can evoke a sense of brightness and cheerfulness, making it ideal for uplifting moments.
    • Example: “Inspector Norse” by Todd Terje is a cheerful track that’s both danceable and uplifting, making it a crowd-pleaser in many sets.

  11. Bb Major (6B): Known for its optimistic yet complex qualities, Bb Major is often used to convey a sense of complexity tinged with optimism. It’s a key that can evoke a sense of layered emotion, making it ideal for tracks that aim to provoke thought while uplifting.
    • Example: “Acid Tracks” by Phuture uses this key to create a complex yet uplifting atmosphere, making it a staple in many acid house sets.

  12. B Major (1B): Known for its brilliance and optimism, B Major is often used to convey a sense of optimism and brightness, albeit with a level of sophistication. It’s a key that can evoke a sense of sophisticated optimism.
    • Example: “Clear” by Cybotron uses this key to create a futuristic, yet optimistic atmosphere, making it a classic in many techno sets.

Minor Keys

  1. A Minor (8A): A versatile key that’s often used to convey a range of emotions from sadness to introspection. It’s a key that’s as flexible as it is popular, often used in tracks that aim to evoke complex emotional landscapes.
    • Example: “Windowlicker” by Aphex Twin uses this key to create a complex emotional landscape, making it a versatile track for various moods.

  2. Bb Minor (3A): Known for its mysterious and introspective qualities, Bb Minor is often used to convey a sense of mystery or introspection. It’s a key that can evoke a sense of inward focus, making it ideal for more introspective moments in a set.
    • Example: “Voyage” by Gregor Tresher uses this key to create a mysterious, introspective atmosphere.

  3. B Minor (10A): Known for its darker tones, B Minor is often used to convey a sense of melancholy, introspection, and sometimes even despair. It’s a key that can evoke a sense of emotional depth, making it ideal for more emotionally charged moments in a set.
    • Example: “Dead Skin Cells” by Future Sound of London is a haunting track that perfectly captures the essence of this key.

  4. C Minor (5A): Often used to convey a sense of tragedy or heaviness, C Minor is the key of the dramatic. It can evoke a sense of weight and gravitas, making it ideal for tracks that aim to create a sense of emotional intensity.
    • Example: “Risingson” by Massive Attack uses this key to create a brooding, intense atmosphere.

  5. Db Minor (12A): A rare key that’s often used for deeply emotional pieces. It can evoke a sense of emotional depth and complexity, making it ideal for tracks that aim to provoke thought or introspection.
    • Example: “Schöneberg” by Marmion uses this key to create a deeply emotional atmosphere.

  6. D Minor (7A): Known as the “saddest of all keys,” D Minor is often used to convey a sense of deep emotional weight, often tinged with a sense of finality or loss. It can evoke a sense of melancholy and depth, making it ideal for more emotionally intense moments in a set.
    • Example: “Halcyon On and On” by Orbital captures a sense of melancholic beauty, making it a staple in many chillout sets.

  7. Eb Minor (2A): A complex key that’s often used to convey intricate emotional textures. It can evoke a sense of complexity and depth, making it ideal for tracks that aim to provoke thought or introspection.
    • Example: “Dominas” by Carl Craig uses this key to create a complex, thought-provoking atmosphere.

  8. E Minor (9A): Known for its melancholic yet hopeful qualities, E Minor is often used to convey a sense of melancholy tinged with hope. It’s the key of the bittersweet, of the hopeful lament, often used in tracks that aim to evoke a sense of complex emotion.
    • Example: “Porcelain” by Moby captures the essence of this key with its melancholic yet hopeful tones.

  9. F Minor (4A): Known for its depth and its ability to convey a sense of gloom, sorrow, or existential angst. It’s a key that can evoke a sense of emotional depth, making it ideal for more introspective or moody moments in a set.
    • Example: “Knights of the Jaguar” by DJ Rolando is a deep, introspective track that captures the essence of this key.

  10. Gb Minor (11A): An enigmatic key that’s often used to convey a sense of mystery or otherworldliness. It’s a key that can evoke a sense of enigma and complexity, making it ideal for tracks that aim to provoke thought or introspection.
    • Example: “Age Of Love” by Age Of Love captures a sense of timeless, mystical allure.

  11. G Minor (6A): Known for its ability to convey a sense of sadness tinged with passion or a sense of urgent longing. It’s a key that can evoke a sense of emotional urgency, making it ideal for more emotionally charged moments in a set.
    • Example: “Rez” by Underworld uses this key to create a sense of urgency and emotional depth.

  12. Ab Minor (1A): A rare key that’s often used to convey a sense of haunting or otherworldly qualities. It can evoke a sense of haunting beauty or etherealness, making it ideal for tracks that aim to create a sense of emotional complexity.
    • Example: “Born Slippy .NUXX” by Underworld uses this key to create a haunting, yet uplifting atmosphere.

Practical Uses and Personal Recommendations

The Camelot Wheel and the Simple Harmonic Mixing Tool are primarily used by DJs and music producers to group keys based on their harmonic relationships. Keys adjacent to each other on the wheel are considered compatible and can be mixed or transitioned between more easily than keys that are further apart. This avoids dissonance or clashes between different musical keys, making your mixes smoother and more emotionally resonant.

It’s worth noting that my recommendations for chord progressions are based on my personal experience and expertise as a musician and composer. There are 7 possible following keys that I find harmonious or serve a meaningful corresponding purpose. However, these are my personal recommendations and should always be taken with a grain of salt.

Conclusion

Understanding the emotional nuances of musical keys can significantly enhance your harmonic mixing skills. Whether you’re a DJ looking to create a seamless mix or a composer aiming for a particular emotional impact, the Simple Harmonic Mixing Tool can be an invaluable resource. It simplifies the complex world of harmonic relationships between keys, making it easier for you to create emotionally resonant mixes and compositions.

Feel free to explore the Simple Harmonic Mixing Tool to get a hands-on experience and make your musical journey even more enriching.

I hope this deep dive into the emotional nuances of each key provides you with valuable insights for your next musical project. Happy mixing and composing!

Ancestry.com

My DNA: A Restless Globetrotter with Viking Echoes

Every one of us is a unique tapestry of stories, experiences, and ancestral whispers. Born in Germany, a land steeped in history and culture, I always believed it to be the anchor of my identity. But life, with its intricate twists, had other plans.

While Germany provided the canvas for my early years and ignited my passion for electronic music, it never truly felt like home. An inner restlessness, a yearning for distant shores, always stirred within me. My mother – never too fond of my adventurous mind – often called me “restless” and a “globetrotter,” and she couldn’t have been more accurate.

An exploration into my DNA paints a vivid picture that resonates deeply with my inner wanderer:

  • England and Northwestern Europe: 44%
  • Sweden and Denmark: 16%
  • Wales: 4%
  • Northern Italy: 2%
  • Ireland: 2%
  • German-speaking regions of Europe: 32%

While the Germanic heritage was evident, it was the Northern influences that truly resonates. Every journey to the North, whether to England, Sweden, or Denmark, feels like a homecoming. The landscapes, the people, the very ethos of the North seem familiar. With a a bit of a physical appearance reminiscent of a Viking and a northern-like seriousness, coupled with a dry and dark humor, I often feel more at home among the fjords and northern lights than in the center of Europe.

And amidst these revelations was another that leaves me in awe: Ernest Hemingway, the literary titan, is my 9th cousin, meaning we share common relatives 9 generations back. To think that I share a lineage with a man whose words have touched the very soul of humanity is both humbling and exhilarating.

This exploration into my DNA is a testament to the intricate web of existence. We are more than the sum of our parts, shaped by a myriad of influences and histories. Our true essence isn’t just defined by our birthplace but by the myriad experiences, memories, and ancestral calls that resonate within us.

As I continue that odyssey, finding fragments of home in the most unexpected places, I’m reminded of Hemingway’s words:

It is good to have an end to journey toward; but it is the journey that matters, in the end.

Reflecting on this journey of discovery, both of self and ancestry, it’s evident that life has been a whirlwind. The path has been filled with challenges, moments of breathtaking beauty, and experiences that seem enough for more than one lifetime. Through it all, I’ve come to a place of acceptance. I take life as it comes, embracing each moment, each revelation, and each challenge. And while the journey has been incredibly full and often relentless, I find solace in the knowledge that when the day comes, I’ll be in acceptance of that too, having lived and experienced enough for multiple lifetimes.

P.S. fun facts:

  • I’m also related to the Heavy Metal singer Doro Pesch (which I like as a person but am not a fan of her music) and artist/painter Franz Kels, both from Düsseldorf, Germany. A huge bunch of my ancestors are from Düsseldorf, starting in the year of 1490.
  • My great granduncle went to the USA on the “Fürst Bismarck” in 1902. That’s why I still have many relatives in the Philadelphia area today.