I decided to offer all my music for which I own the copyrights* for free, now and in the future. “Free” means all music I have on my own label (L2 Music) can be downloaded for as low as zero (all currencies, smiles preferred) or for whatever amount you think is right, in the best possible quality! There are no hooks, eyelets or hidden conditions. There is just music.
You can either stream my music for free via Spotify or stream and/or download at Bandcamp.
*Digital downloads, not physical products, of course. I have no influence on the price of my music that I have signed with other labels, hence I can not offer this for free. But all of my albums are on my own label, and most of my non-dance-music productions.
Of course, I will still do paid remixes (and receive royalties for those), and sign my music to other labels, mostly dance music productions. But music on my own label (my albums etc.) will be free from now on.
Why am I doing this?
It’s simple, really. There is no point in asking you to pay for the download of music files anymore when you can stream it for free already. Those who like to listen to music in top quality (the audiophiles among you), there are the free or pay-what-you-want downloads at Bandcamp.
Nevertheless, I would like to ask each one of you to support me by becoming my patron:
Thank you, no matter if you’re just a listener or paying subscriber/downloader. You’re all equally valuable to me.
First of all, this is the original track which I’m offering you to remix:
This remix project is open for everyone, meaning: everyone who feels the tune and would love to remix it may do so. There are some rules attached to that, of course…
You’re totally free regarding the style, length, tempo, keynote(s) of your remix. Do with the stems whatever you like, or add your own composition.
The provided stems are under copyright of L2 Music (my label), and they’re only to be used for this remix project. All rights on this are reserved, so use for other purposes is strictly prohibited.
This not a remix contest or competition! I will release ALL good remixes in form of a full remix release called “Babylon Revisited”, no matter how many it’ll be in the end. If your remix meets (my) quality standards it’s gonna be released in all important music stores in the world.
I will share 50% of all net revenue of sales with you.
When your remix is not part of the release, you’re free to offer it as a free download. Selling it is not allowed.
Please, submit your remix UNMASTERED, meaning: no compression, no limiting, no maximizing on the MASTER BUS! Please, leave at least 6db headroom, because I will master it before release. Submit a 48khz/24bit WAV file. Other formats will not be accepted.
Submit by uploading your remix to your SoundCloud, make it PRIVATE and DOWNLOADABLE (just as the remix pack files), and send me the link to it (and ONLY ME!). I understand that you’re excited about your remix to be heard by the entire world. But when everyone knows it already the thrill for the release is gone. Balloon > needle > PUFF!
Submission deadline for your remix is: 30th of June, 2016. No exceptions. It’s a hell of a work to get the release properly set up and on the way, so I really can’t accept anything after that date.
Last but not least: original tempo is 121, keynotes are (basically) C major and F major. When your remix is a different tempo, please, make sure you use the best time-stretching algorithm you can get a hold of. Same goes for pitch shifting. 😉
You agree to the rules/terms above by downloading the following remix pack:
As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). Plus, I personally use 3 different DJ applications and 3 different DAWs for music production alone, for different purposes.
So yeah, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always.
As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, smart people came up with different systems like the Camelot Keys (Mixed in Key, which I prefer, because of its accuracy) or the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This example is the very basic part of harmonic mixing or composing. And also a bit boring if you do that all the time. It becomes really good and interesting when you use all the options within the world of chord progressions.
What I was missing in all those years of composing and DJing was ONE chart (to rule them all) that shows me ALL key/chord systems and their equivalents, their piano keys (very useful for composing) and their harmonic keys/chords. I searched the net in order to find out if someone did this, but no one did. At least I couldn’t find it.
So, I did it myself. 8 hours work and I had what I was looking for. And since I guess this could be useful for every musician/DJ, I want to share it here with you. This is how it looks like (click to open the full resolution file):
You can download the high-res JPG above, print it out and use it for yourself, if you like. Here’s a PDF and the original EXCEL version of it, in case you want to edit/modify something for your needs (let me know when you find mistakes or when you improved it!):
WHAT DOES IT DO, HOW DO I USE THIS?
Let’s take an example for a composing or mixing situation:
The chord we’re working with at the moment is A minor (or 8A, or 1m). What shall be next? Everything in the table below — around the 8A — is possible, it will be harmonic. The closer to the 8A it is the more harmonic it’ll be.
Western Music Scale
Piano Chord Keys
DJ Keys up/down
D | F | A
C | E | G
A | C | E
Same key (tonic)
E | G | B
A# | C# | F
Low energy boost
B | D | F#
High energy boost (supertonic)
G | B | D#
Low energy drain
G | A# | D
High energy drain (leading tone)
But your decision what to do next is depending on the purpose. What kind of “feel” do you want to give your mix or composition?
Here are some possible chord progression scenarios, working with the Camelot Keys (which I prefer, at least for DJing), starting with 8A:
That’s how I call it, it’s kind of a “secure standard”, nothing special, it’s just flowing along:
8A > 9A > 10A … 12A > 1A > 2A and so forth, until you’re at 7A and back into 8A again
Here you have a longer and progressive wave of energy rising, until it falls back to normal at 7A again, just like an ocean wave crashing and the next one building up again.
The “Wild Ocean”
It’s a bit stormy, and the waters stirred up, but everything is still harmonic and in place. This is the most “interesting” way of mixing, things shouldn’t become boring:
8A > 8B (relative major) > 9A > 4A (+7 DJ keys, low energy boost) > 4B (relative major) > 6B (+2 DJ keys, high energy boost) > 7B > 2B (+7 DJ keys, low energy boost) > 4B (+2 DJ keys, high energy boost) > 5B and so forth
I could make up a hell of a lot more examples now (with even sillier names), but you most probably already get the idea. The options are really endless, and you’ll always be composing or DJing harmonic. The above scenarios are just examples. Find out what works for yourself, I’m sure you’ll have fun experimenting with chord progressions, using this nifty chart. Oh, and don’t mind the silly names … it’s just about giving things a name. 😉
It’s free! Download, share, modify, re-publish and generally do with it whatever you want. But please, don’t pretend you did this. Credit would be nice (and fair), but is no condition.
Now, if you’d head over to bandcamp and buy my music, that’ll be rather nice: