NEW ALBUM “Until We’re Gone” available for pre-order!

Is it an ambient album? Electronica? Music for elevators, shopping malls or – sorry Brian Eno – airports? Boring frippery? Music to fall asleep? Any electronic music that does not fit in any drawer? A stroke of genius? Psychoactive music with more chord changes than in Bach’s most popular pieces?

It’s all that, depending on the listener.

In the past few years, Ingo Vogelmann has studied the influence of music on the human psyche, working with frequencies, chords and timbres and with hypnotists and “commissioned music” for therapists who have successfully treated clients with this music. A certain part of this material can be found in this album.

None of the songs claim to have a classical song structure, or even a conventional duration. They are extremely long, because that can serve a purpose if the listener allows themselves to get involved. Each song has constantly changing chord progressions, but they are always harmonious and often reminiscent of classical works by the great composers of yesteryear.

“Until We’re Gone” is not a work in which Ingo wants to prove technical finesse. There are other pieces for that. The focus of this album is on the composition and the ability of the music to put the listener in a special state.

This music picks up seekers who are willing to get involved in something new.

Preorder: December 6, 2019
Release date (Spotify, Apple Music, iTunes, TikTok, Google Play/YouTube, Amazon, Pandora, Deezer, Tidal, Napster, iHeartRadio, ClaroMusica, Saavn, Anghami, KKBox, MediaNet, Instagram/Facebook): December 18, 2019

I’ll be working with a new distribution partner, and what that means for you (as a fan)

First things first

In the next few days/weeks you might experience something unusual when you stream or download my music from the countless stores and streaming services out there. It could happen that my releases appear as double entries, and it’s possible that you recognize missing songs and changed song order of album releases.

Wut?

That’s all because of the transition between 2 distribution companies. I transfer all my music from one to another, and they do not work in sync. One is faster then the other — with taking down and upping content — which is only one reason why I change partners. I’m quite unhappy with my former distributor, and the new setting is also better for you, as a fan.

Not everything changes

All my releases on Bandcamp remain as they are, and all of them remain on a “pay what you want” basis, even if that means ZERO.

So?

That’s it. Nothing that should concern you at all, I just wanted to let you know, just in case something seems odd to you. I’m pretty confident that things are much better for you and me after the transition has been done.

Enjoy my music everywhere as always, everything will be accessible all the time. Thanks for your ongoing support!

My favorite music of the week 32/2017

I have discovered a huge number of incredible and great new music this week! Make sure to check all this out.

All of this is gold. Don’t miss!

U2 & Apple: Probably The Biggest PR Stunt In The History Of The Music Industry

Bono reiterated that Apple bought Songs of Innocence to thank their users for their patronage, and that the band was appropriately compensated.

Of course they did. I said that in the moment I heard the news of Apple acting as a major label, because this is what major labels do: pre-paying for a deal like that, regardless of later royalties.

This is probably the biggest PR stunt in the history of the music industry.

My opinion? This is what brought the whole whole world of music into trouble in the first place (greed). I’m zero interested in listening to that album, and I won’t. I don’t give a fuck, to be precise. To me, Bono is nothing but a hypocrite, and a brilliant business man. As a musician I lost all respect.

“Songs Of Innocence” is exactly not this: innocent.

via Bono Talks ‘Songs of Innocence’, New Music in Letter to Fans | Rolling Stone.