Elegy For The Living

“Elegy For The Living” is the title of my forthcoming new album. This page will be the feature page for the album when it’s released, which will most probably happen in December 2017 spring 2018 summer 2018.

I’m sorry for the delay on the release. There are certain stages of the final production that require updated technology that needs to get set up and running. New gear has arrived! I started finishing the album, to be released early summer 2018!

Album Teaser – Part 1

 

 

Downloads

I’m offering sample packs, patches and other music production related downloads here.

Vintage Drum Machines

Huge sample pack containing samples from the best drum machines ever build. Scroll down for a list of sampled drum machines.

  • WAV format
  • Bit rate: 44.1khz
  • Sample resolution: 16bit
  • Stereo and Mono samples (depending on the machine)

I didn’t record the samples, but I collected them from various sources over the years. This is the most complete collection I could imagine, and I use a lot of them myself in my productions.

What seems to be double is double, actually (like “Roland DR-110” and “Boss DR-110”), but from different sources. You may find the samples slightly different.

icon-129-cloud-download@2x(193 MB)

Vintage Drum Machines

Content

Ace Tone Rhythm Ace
AJK Percussion Synth
Akai  XR-10
Akai Linndrum
Akai MPC-60
Akai XE8
Akai XR10
Alesis DM5
Alesis HR-16
Alesis HR16
Alesis HR16B
Alesis SR-16
Alesis SR15
Alesis SR16
Boss DR-110
Boss DR-202
Boss DR-220
Boss DR-220a
Boss DR-220e
Boss DR-55
Boss DR-550
Boss DR-660
Casio RZ-1
Casio RZ1
Casio SK-1
Casio SK1
Casio VL-1
Casio VL-Tone
Cheetah MD16
Doepfer MS-404
dR110
DR55
Emu Drumulator
Emu Modular
Emu SP12
Fricke MFB512
Kawai K3
Kawai R50
Kawai R50e
Kawai SX240
Kawai XD5
Korg DDM110
Korg DDM220
Korg KPR-77
Korg KPR77
Korg KR-55
Korg KRZ
Korg M1
Korg Minipops
Korg Poly-800
Korg T3
Linn 9000
Linn LinnDrum
Linn LM1
MFB-512
Moog Concertmate MG-1
MXR 185
Novation Drumstation
Oberheim DMX
Oberheim DX
Quasimidi 309
Rhodes Polaris
Rhythm 33
Rhythm 77
Rhythm-Ace
Roland CompuRhythm 1000
Roland CompuRhythm 8000
Roland CompuRhythm-78
Roland CR-78
Roland CR-8000
Roland D-110
Roland D-70
Roland Digital Drum Brain DDR-30
Roland JD-990
Roland JD800
Roland JD800 Dance Card
Roland MC-202
Roland MC-303
Roland MC09
Roland MT-32
Roland R-5
Roland R-8
Roland R8
Roland S50
Roland SH-09
Roland System-100
Roland TR-505
Roland TR-606
Roland TR-626
Roland TR-707
Roland TR-727
Roland TR-808
Roland TR-909
Sakata DPM-48
Sequential Circuits Drumtraks
Sequential Circuits TOM
Sequential Drumtacks
Sequential Drumtrax
Sequential Tom
Sequential TOM1
Serge Modular
SH09 Drum sounds
Simmons SDS-400
Simmons SDS-5
Simmons SDS5
Simmons SDSV
Sound Master
Sound Master, Memory Rhythm SR-88
Univox Microrhythmer-12
Visco SpaceDrum
X Drum LM8953
Yamaha CS6
Yamaha EX5
Yamaha MR10
Yamaha RM 50
Yamaha RX-21
Yamaha RX-5
Yamaha RX11
Yamaha RX21
Yamaha RX21L
Yamaha RX5
Yamaha RY-30
Yamaha RY30
Yamaha TG-33

 

While this is all free stuff, I would like to ask each one of you to support me by becoming my patron:

Become a Patron!

 

Thank you, no matter if you’re just a listener or paying subscriber/downloader. You’re all equally valuable to me.

If you don’t feel like supporting me on a regular (but one-time) basis, it would be nice if you’d…

 

Vogelmann Audio

Mastering

Welcome!

I am glad that you have found here, because together we can spread more good sounding music into the world. If you want to know more about me first, then you can learn more here. In short: I have more than 20 years of experience as a producer and sound engineer. Your music is in good hands.

On this page I explain how I can make your music sound better and what I have to offer exactly (and at what price). You are very welcome to contact me via the contact form, I will always try to answer all your questions as good and as quickly as possible. I’m a very solution-oriented guy by nature, and I always try to get you there as fast and effectively as possible, because there is nothing more valuable than your and my time.

Check out what some of my clients say about my service:

Superbly mastered

A big track for us has been superbly mastered by Ingo Vogelmann, called "Horizon Lights".

Jawkized Sound System, Production collective/band

Ingo Vogelmann
5.0
2017-07-14T11:29:35+00:00

Jawkized Sound System, Production collective/band

A big track for us has been superbly mastered by Ingo Vogelmann, called "Horizon Lights".

Your mastering is getting big praise!


Brent Lawson, Pro B Tech Records

Ingo Vogelmann
5.0
2017-07-14T10:10:16+00:00

Brent Lawson, Pro B Tech Records

Another awesome job!

Back home from holiday, quick check through the masters, another awesome job! Thanks once again!

Kiz Pattison, DJ & Producer

Ingo Vogelmann
5.0
2017-07-14T09:45:08+00:00

Kiz Pattison, DJ & Producer

Back home from holiday, quick check through the masters, another awesome job! Thanks once again!

Very cool master, thanks!


Tigerskin, Producer

Ingo Vogelmann
5.0
2017-09-19T21:33:19+00:00

Tigerskin, Producer

F U C K !

F U C K ! Wicked mate! I have a new mastering guy.

Someone who didn't want to get mentioned

Ingo Vogelmann
5.0
2017-07-14T11:21:56+00:00

Someone who didn't want to get mentioned

F U C K ! Wicked mate! I have a new mastering guy.

Excellent

Mixdown and master is excellent. Top draw, very happy with it.

George Pritchard aka. Jawjee, DJ & Producer

Ingo Vogelmann
5.0
2017-07-28T20:16:42+00:00

George Pritchard aka. Jawjee, DJ & Producer

Mixdown and master is excellent. Top draw, very happy with it.

Best results possible

Doing business with Ingo is simple. He's always focused on delivering the best results possible, even if it means giving advice to the artists on how to make a better mixdown. With his advice my artists are able to achieve great sounding masters. I would recommend his service to anyone and will always be working with him as a supplier.

Mark Betteridge, Change Underground

Ingo Vogelmann
5.0
2017-07-14T10:20:17+00:00

Mark Betteridge, Change Underground

Doing business with Ingo is simple. He's always focused on delivering the best results possible, even if it means giving advice to the artists on how to make a better mixdown. With his advice my artists are able to achieve great sounding masters. I would recommend his service to anyone and will always be working with him as a supplier.

Thank you for the masters!


Hernàn Cattaneo

Hernàn Cattaneo, DJ & Producer

Ingo Vogelmann
2018-07-26T22:12:36+00:00

Hernàn Cattaneo, DJ & Producer

Hernàn Cattaneo

Great job

Just listened to the masters and they sound really nice. Very crisp and tight and a beautiful low end so thank you for doing such a great job mastering them.

Luka Sambe, Producer

Ingo Vogelmann
5.0
2017-07-20T06:56:52+00:00

Luka Sambe, Producer

Just listened to the masters and they sound really nice. Very crisp and tight and a beautiful low end so thank you for doing such a great job mastering them.

I am delighted with you, with your way of being and working

Do not have the slightest doubt that you are going to master my next job and all the following ones. You are already my sound engineer. I am delighted with you, with your way of being and working, because without a good mix you can not get a good master, and thanks to you I have been able to polish the defects and learn a lot. I already know how I have to prepare the mix. Thanks for everything. You work differently than the others. Ah! And thanks to you I think this EP is going to be a success.

ZNAS, Producer

Ingo Vogelmann
5.0
2018-07-19T21:20:54+00:00

ZNAS, Producer

Do not have the slightest doubt that you are going to master my next job and all the following ones. You are already my sound engineer. I am delighted with you, with your way of being and working, because without a good mix you can not get a good master, and thanks to you I have been able to polish the defects and learn a lot. I already know how I have to prepare the mix. Thanks for everything. You work differently than the others. Ah! And thanks to you I think this EP is going to be a success.

A pleasure to work with

Ingo has a positive outlook and is a pleasure to work with. It's great to watch him develop his career as he keeps climbing the ranks in the music industry.

Ryan Sullivan, DJ & Producer / Head Sound Engineer at Red Bull Studios, Capetown

Ingo Vogelmann
5.0
2017-07-14T10:43:24+00:00

Ryan Sullivan, DJ & Producer / Head Sound Engineer at Red Bull Studios, Capetown

Ingo has a positive outlook and is a pleasure to work with. It's great to watch him develop his career as he keeps climbing the ranks in the music industry.

The masters sound brilliant I have to say. Really sound fantastic.


Audioglider, Producer

Ingo Vogelmann
2018-06-08T19:14:51+00:00

Audioglider, Producer

4.0
12


Affordable High-End Service

Of course, it’s always also about the cost of things. I need to eat, so do you, and I wanna make sure we both do. A good service has its price, and you mostly get what you pay for, they say. My rates are within the very affordable range, yet absolute high-end quality, because I generally like creating opportunity. Your success is mine.

 

Rate Card

 

In case all of this doesn’t work for your wallet, talk to me and we see what’s possible.


How Do I Master?

My most important tools are my ears. Then experience with music and sound plays a big role. I love great music sounding as good as possible, so that is a big factor, too. Good music that sounds bad kills me.

My aim is always to seize the fabulous advantages of the analog world combined with the best of the digital world. I’m not a gear junkie at all — tools are just tools, and replaceable — but I certainly love my favorite weapons of choice. My typical mastering chain consists of the best of both worlds, analog and digital. This way I get the big, fat, warm, deep, rich and exciting sound of the analog universe, and the visual aid and precision of a digital finish. I listen on YAMAHA HS8 studio monitors to have the most natural, precise and unspectacular sound image. Speakers that sound “too good” are liars when it comes to mastering, your audio has to sound great on every system.

If in doubt, I’m happy to create a free demo snippet of my work (from your audio) before I lay my ears, hands and heart on your entire product.


Listen To Results

Here you can hear something I’ve cut to make the differences clear between unmastered and mastered. You hear a few bars each unmastered and mastered, always alternating, through the whole song. I mastered the song in 2017 after Tigerskin asked me to.

Here’s the finished and mastered song with its amazing music video:

Like the track? Buy it here.


Let’s Talk!

Please, use this form to get in touch with me. I will get back to you as soon as possible, depending on my work-load.


What I Need From You

  • Lossless file(s) of your mix(es), either AIF(F) or WAV, no other file formats are suitable.
  • Minimum 44.1khz and 24bit (32bit isn’t necessary) for a CD master, depending on the purpose of your project, higher sample and bit rates might be required. Why at least 24bit when a CD can handle only 16bit? Because the basic noise level is much lower at 24bit compared to 16bit. This allows more dynamics in both the mixing and mastering stage because you can work with lower volumes and a better headroom handling, simply because you have less noise going on that you need to overcome. I will down-sample to 16bit for CD afterwards.
  • Please, make sure your sound file has a minimum headroom of 6db. Headroom is the range between the nominal level (in our case -6db) and the maximum level (0db). It’s not a problem if there are single, few peaks above the nominal level of -6db, but in no case should there be peaks hitting the maximum level of 0db. This will lead to unwanted damaged transients (tips of the waveform). The transients are cut off and important audio information is lost, and the missing parts are perceived as distortions. This is something that not only is hard to fix but also something that is very difficult to master. I will take care about your music sounding loud without destroying the actual music and its transients. Don’t make it look like one block, let your music be natural, let it breathe. Please.
  • Deactivate ALL mastering plugins — such as maximizers/compressors/limiters — both on the individual tracks and on the master output, unless it’s absolutely necessary for the music’s character of sound. A good mix doesn’t need a lot of mastering! I know, it’s very tempting to boost things with nice compressors and stuff to make it sound as punchy and present as possible, but that’s the mastering engineer’s job. Create a mixdown that sounds as good as possible without any help of mastering plugins or devices and bounce/export/render it to a WAV or AIF(F) file. This way I can get the best out of your music with my mastering.

If you need me to mix your music down, it’s basically the same process (for you). I can also do your effects and automation, cleaning up and riding vocals and instruments.


FAQ

Q: Do you also master DJ sets?
A: Absolutely.

 

Q: I’m lost when it comes to mixdown. Where do I start?
A: Start mixing the loudest or most “booming” elements, like a kick drum or a fat bass line. The low frequencies should be your reference objects. Try to place your bass somewhere between 45 and 70hz, kick drum above at around 80 to 110hz. I wouldn’t really recommend anything below 40 hz. In case of dance music, it will only create a true mess on the dance floor. Although it can make sense with other kinds of music! In the mixdown process, work your way up to the mid and high frequencies respectively, always using the stuff below (in frequency) as reference. Imagine an upside-down pyramid (triangle) and pan sound in the room more the higher the frequencies become. Bass frequencies can be almost mono up to 300hz, because they have not much effect on stereo anyway.

 

Q: Why does my music sound good on system XY but shit on system YZ?
A: There’s a simple rule. What sounds great on a shit system will sound awesome on a great system. When it comes to your own monitor speakers, try to have the most natural (dry and unspectacular) sounding speakers (and amplifier/audio interface/whatever) as possible. Speakers that sound “too good” don’t give you the right picture of your music. They make it sound better as it is. The good old Yamaha NS10 always work wonders, what sounds right on them sounds right everywhere.

 

Q: Can you do mastering from MP3 files?
A: No. It will never sound the way it should. The encoding to MP3 takes away a lot of audio information that actually should be in the music, that’s why it’s so much smaller in file size. MP3 strips off valuable parts of music.

 

Q: Do you add all sorts of proper tags and artwork to the mastered files?
A: Of course, whatever you wish and need.

 

Q: Can you deliver all kinds of file formats?
A: You get all file formats, lossless or compressed, you wish to have. Everything in the best quality possible and asked for.

 

Q: Can you polish/restore/clean up old recordings?
A: Theoretically, I can improve everything. But the result really depends on the individual material. I myself, as a producer, used audio of a public speech from Mahatma Gandhi from the 1920’s (with kind permission from his family). It sounded awful when I got it, and now it sounds quite amazing in the music. Have a listen.

 

Q: Can you make digital music sound like vinyl?
A: I totally can.

 

Q: Are you as good as [fill in random superstar mastering egineer]?
A: I don’t know. You decide, make up your own mind by trying me. I’m absolutely confident that I will satisfy you.

 

Q: How long do you need to master my track/EP/album?
A: Usually a day, sometimes a two, maximum a few days, under normal circumstances. There are unexpected work-overload situations, but even then it’ll be maximum a few days.


And now here’s something you should know about…

About

Artist Biography

Oh Germany, what a land: best beer, best cars, no highway speed limits, best bread, nudist culture, castles, poetry, science, inventions, social safety, bureaucracy (a lot of it), humour on a meta level (not to be confused with ‘no humour’, after all, Germans are very precise in everything), and… ? Right, extremely talented musicians. You have to be confident, brave and full of love for your art, in a society that values nothing more than safety and considers the art of creating music at most a “hobby”.

Some Germans really know about doing things right or not doing them at all. So here comes German Ingo Vogelmann. For him, the secret to great music is this simple formula: < = >

Less is more. Music as a form of communication. Less meaningless chatter, more meaningful music.

To Ingo Vogelmann music is living, not only as a part of his every day routine, but as the driving force of his existence. Whether spending hours discovering new music, writing and recording his own productions, editing and mastering for other musicians, or just enjoying the sounds that surround him, Ingo’s life is intertwined with the music he loves. It’s his communication to the world, his avenue for expressing the stories that need to be told, and his connection with those who feel the same.

Waking up with melodies in his head, he creates music that comes to him subconsciously, music that is necessary to tell the tale of mankind and our place on this planet. His palette is unlimited and unrestricted; as a classically trained instrumentalist he produces and performs the music that comes to him in whatever form that may be, regardless of genre or style. If the music is asking to be shared, he will tell its story.

In the studio, Ingo is a wizard of sound, handling the entire process of production from writing, to performing, to mastering, with care and attention to the minute details of the music and aural experience. With 8 albums and over 150 singles and remixes, he is consistently creating something fresh. The studio is where his love truly shines through, where he shares his messages through the music, and the magic of sound is given the space to shine.

This passion carries beyond the studio and into the DJ booth, where Ingo’s electronic music expressions connect deeply with the audience, inspiring interaction with the crowd as a part of the greater picture they build together. He creates a vibrant scene full of deep beats and transformative melodies, enveloping the space and leading them into an unforgettable experience. From the moment he gets behind the decks, his music talks: “Come with me, I have something to show you, a story to tell.” This story may evolve throughout the night, based on feedback from the audience and the journey they want to go on, and Ingo Vogelmann is always ready to take them wherever that may lead.

No matter what form his music takes, Ingo Vogelmann is always ready to share it, with seemingly unlimited dedication and devotion. Tune in to his sound, and experience the messages that come from the depths of the music.

Born in Germany and having been a global traveler who has lived all across Europe and Asia, Ingo Vogelmann always takes the music with him, and is always sharing that music with us through his many channels. Stay tuned to experience the next part of his epic musical journey – we may not know where the path will lead, but it will surely sound good along the way.

Short profile

  • Composer, producer, recording, mixing and mastering engineer, instrumentalist (mainly drums & percussion, and whatever’s needed and works).
  • Composer and producer for media, film, TV and commissioned work for other people.
  • Head Of A&R at Pro B Tech Records since 2017.
  • Founder, owner, CEO and Head of A&R at L2 Music since 2003.
  • Show host/resident DJ at FRISKY from 2005 to 2018.
  • Executive Director at FRISKY from 2005 to 2018, a groundbreaking electronic music internet radio and subscription service.
  • Inventor of The Ultimate Harmonic Mixing & Composing Chartâ„¢.
  • Inventor of harmoodizrâ„¢.

Please, head this way if you need more info, material or resources.