News on “Elegy For The Living”

This is the 1st album teaser for “Elegy For The Living” which contains 9 x 1 minute snippets from the first half of the album (a 2nd one will follow soon):

Note: The footage is not what’s going to be the full length music video which will be done for the full length of the album (approx. 70 minutes, 4K).

 

This is the first Q&A video, more coming:

Hubert Gomez – Death Lurks (Petar Dundov Remix) [Sudbeat]

youtu.be/JLTG6pzKHsQ
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Release Date: 09-01-2016

► Sudbeat Music ♫
www.youtube.com/channel/UCaDG3JjMRTvKtL8QpmYGGnw1
www.sudbeat.com/
www.facebook.com/SudBeat

www.beatport.com/label/sudbeat-music/12968

► Petar Dundov ♫

petardundov.com/
www.facebook.com/dundov
dundov.bandpage.com/

pro.beatport.com/artist/petar-dundov/2380

Tracklist:
01. Hubert Gomez – Death Lurks (Original Mix)
02. Hubert Gomez – Death Lurks (Petar Dundov Remix)
03. Hubert Gomez – Death Lurks (Izakaya Deployment Remix)

Release Info:
Peruvian producer Hubert Gomez has appeared on Fade Recordings and No Signal, and now makes his debut on Sudbeat.

‘Death Lurks’ is a warm tinkling affair, with its infectious stabs setting the pace, as blips and bleeps and an underlying arp add extra layers. A slight wonkiness adds to the mystique of this gem, as its subtly bobs along. A voice like synth line creates more tension and adds to its rich sound. This is most certainly a sophisticated track that does the business for sure.

Picking up the pace and adding a darker layer, Petar Dundov casts a melodic, yet moody shadow across proceedings. Tougher and intense vibes are order of the day here as the bubbling bass meets the riff thats been accentuated and used to the full here as we are treated to a master class of how to remix a track and make it your own. Its a biggie.

Fellow Peruvian Izakaya Deployment takes on the second remix, and delivers a restrained and beautiful workout, utilising the melodics from the original, and expands creating a wondrous emotive melting pot. A tasty touch up that gels this EP together nicely.

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