Talking about a Line-Up: Jon Aderson’s New Album “1000 Hands”

Not only does legendary singer Jon Anderson (Yes, Jon & Vangelis etc.) release a huge album at the age of 74, also, here’s the line-up for this album:

Vocals: Jon Anderson
Guitars: Larry Coryell, Tommy Calton, Steve Morse, Rick Derringer, Pat Travers, Bobby Koelble , Steve Howe, Trevor Rabin, Christie Lenee
Bass: Chris Squire, Tim Franklin, Stuart Hamm
Drums: Billy Cobham, Allan White, Matt Brown, Carmine Appice
Keyboards: Michael Franklin, Chick Corea, Jonathan Cain, Kieth Heffner, Jeff Abbot, Brian Chatton, Antonio Esposito
Violin Soloists: Jean Luc Ponty, Robbie Steinhardt, Jerry Goodman, Charlie Bisharat, Olga Kopakova, Jason Thomas
Cello Soloists: Paul Fluery, Krissi Franzen
Percussion: Steady Joseph, Eddie Metz Jr.
Steel Drums: Pat Frost
Ukulele: Russel Chalk, Don Oriolo, Tim Franklin, Michael Franklin
Trombone: Pat Gulotta, Pat Frost
Trumpets: Steve Walters, Billy Boyd, Brian Scanlon
Saxophone: Brian Snapp, Edgar Winter, Charlie DeChant
Flute: Ian Anderson, Charlie DeChant, Brian Snapp
Horns: Tower of Power
Accordian: Darius Grabowski
Banjo: Mitch Corbin
Vioelectric: Michelle Jones, Brandy Moulden, Krissi Franzen, Kaitlin Higby, Paul Fleruy, Tim Franklin, Jennie Landau
Background Voices: Zap Mama, Bobby Kimball, Jane Anderson, Tim Franklin, Hu Yue, Michael Franklin, Kim Lovering, Matt Brown, Fei Peng Solar Choir, Voices Of LIndahl, Crossover, Superstar Choir, Nana Academy Youth Choir

This HUGE line-up alone — a collection of musician Gods — makes me wanna listen to this album very badly. I mean… come on: 4 (!) different drummers, one of them Billy fucking Cobham? Mental.

Promoters: How it’s not being done

Annoyed-PicardI had a flight from Malaysia to Manila on Friday that I chose to be just in time to arrive at the airport, get picked up by the Missus and drive directly to my gig at The Electronica Festival. Everything was okay, although my flight had a delay of 45 minutes. Arriving there (the way to the venue already told lots about the venue itself) we immediately recognized that there weren’t a lot of people. No one was able to introduce me to anyone who was responsible for artists, I had to walk around for 20 minutes to find a DJ mate who was actually as lost as myself. We somehow got it managed to find our stage. Then there were no drinks for us, we were supposed to manage everything ourselves, including carrying cups of drinks from one bar 300 meters away from our stage, to have something to drink whilst performing. No one assisted us or gave us any comfort. In “exchange” I received like 400 texts from random (and unknown to me) people, “reminding” me of my performance on stage at 4AM. Actually, I started playing at 3.45AM already, but, of course, no one took notice of that, apart from some fans and fellow artists (thank you Emel and David) who enjoyed the set.

For some reason I started to feel really terrible like 1 hour into my set. Luckily the bathrooms were just behind the stage, so I went vomiting 2 times, but didn’t interrupt my set and tried to be as professional as I could. I think no one even noticed that I felt like shit. After my set, I randomly asked about who’s gonna pay out the talent fee, but no one was able to give a straight answer. To make a long story short: in the end I had to chase down responsible people for like half an hour and become VERY energetic, insisting on paying me my fee in full after a given performance. They tried to tell me that all would be paid out on Monday, but I stated that this is zero acceptable and not gonna happen, otherwise … you know what I mean. I can get very angry, and yes: intimidating, when I feel that someone tries to bullshit me.

After all, I can only hope my artist mates got/get a hold of their money and nothing more catastrophic happened. I texted one of the responsible persons afterwards to never contact or ask me again. I don’t want to work with totally unprofessional people. Go learn the business first, then organize events.

2014-11-24 13.26.56

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