Review Archives • INGO VOGELMANN

Why Coldplay’s ‘Coloratura’ Is the Most Ambitious Song of Their Career

20 July 202420 July 2024Leave a comment

Disclaimer: While this isn’t a review of the piece in the classical sense, and I’m not really a Coldplay fan, it certainly is an appreciation. I’m happy to admit that. I do respect the work and courage that has gone into this brilliant piece of music that is neither commercially exploitable nor radio friendly or anything of that sort. It seems to me that Coldplay just felt like doing that song out of musical and artistical aspirations (I could be wrong, though), which I think is not only most respectable (in case I’m not wrong) but also the only reason why people should be creating music. Oh, I have done zero research on the song or the aspirations of the band to do it, so this is just my assumption or maybe even a wild guess.

“Coloratura” is the epic conclusion of Coldplay’s ninth studio album, “Music of the Spheres,” released in 2021. At 10:18 minutes long, it’s one of the band’s most ambitious pieces, reminiscent of the great concept works of the Progressive Rock era. The song stands out due to its length, structure, and thematic depth, setting it apart from the band’s typical radio hits.

Musical Structure and Style

“Coloratura” is divided into several sections, each exploring different musical styles and atmospheres. The song begins with a gentle piano intro, creating a calm and almost meditative mood. As the piece progresses, complex harmonies and melodic lines develop, complemented by orchestral arrangements and electronic elements.

Introduction (0:00 – 1:30): The song starts with a slow, atmospheric piano melody accompanied by soft synthesizer sounds. This introduction sets a celestial mood, preparing the listener for the musical journey ahead.
First Main Section (1:30 – 4:30): Chris Martin’s vocals enter, supported by a restrained instrumental arrangement. The melody is clear and catchy, while the lyrics introduce cosmic and philosophical themes. This section gradually builds tension.
Interlude (4:30 – 6:00): An instrumental interlude leads into the next part of the song. Here, orchestral elements become more prominent, with strings and brass creating a dense and emotional soundscape.
Second Main Section (6:00 – 8:00): The song picks up momentum again, with more powerful vocals and a dynamic arrangement. Guitar riffs and drums become more prominent, while the lyrics take a narrative turn, providing deeper insights into the thematic content.
Finale (8:00 – 10:18): The final section of the song is a crescendo of orchestral and electronic sounds, culminating in a triumphant and emotional climax. The vocals become more intense, and the instrumentation reaches its peak before the song gently fades out.

Lyric Analysis

The lyrics of “Coloratura” are rich in metaphorical and pictorial representations. The title itself refers to a particular style of singing, showcasing virtuosity and expressiveness.

Cosmic Metaphors: The lyrics are full of references to the universe, stars, and planets. These cosmic images serve as metaphors for the quest for knowledge and understanding.
- Example: “In this crazy world, it’s true, I just want you.” This line can be interpreted as an expression of the desire for stability and meaning in a chaotic world.
Philosophical Reflections: The lyrics invite the listener to reflect on their own existence and the role of humanity in the universe.
- Example: “And if you know, if you ever lose your way, in this crazy world.” Here, the idea of orientation and the loss of direction in a complex reality is addressed.

Themes and Message

“Coloratura” explores the wonder of the vastness of the universe and the search for meaning in the face of infinity. The song conveys a message of hope, curiosity, and awe at the beauty of life.

Production and Sound

The production of “Coloratura” is top-notch, reflecting Coldplay’s attention to detail and sound quality. The sound is rich and layered, with clearly defined instrumental tracks and a balanced mix that allows each element to shine.

Soundscapes: The use of synthesizers, strings, and traditional rock instruments creates a deep and immersive soundscape. The production emphasizes dynamics and contrast, making the song both captivating and emotional.
Vocal Performance: Chris Martin’s vocals are powerful and expressive, covering a wide emotional range. His voice is skillfully integrated into the mix, delivering both intimacy and epic grandeur.

Personnel and Roles

Chris Martin: Lead vocals, piano, songwriting. Martin’s distinctive voice and emotional delivery are central to the song’s impact.
Jonny Buckland: Lead guitar, songwriting. Buckland’s guitar work adds depth and dynamism to the song.
Guy Berryman: Bass, songwriting. Berryman provides the rhythmic foundation and contributes to the song’s textural richness.
Will Champion: Drums, percussion, songwriting. Champion’s drumming is versatile, supporting the song’s shifting dynamics.
Phil Harvey: Creative director. Harvey has long been a close collaborator with the band, contributing to the creative vision and execution.

Additionally, the following individuals played crucial roles in the production and final sound of the song:

Max Martin: Producer. Martin, a renowned music producer, led the production process, ensuring the song achieved its unique and polished sound.
Oscar Holter: Producer. Holter worked alongside Max Martin in shaping the song’s sound.
Bill Rahko: Engineer. Rahko was responsible for recording and mixing the song, crucial for the sound quality and balance of the various elements.
Randy Merrill: Mastering engineer. Merrill mastered the song, giving it the final polish to ensure it sounds great across all platforms and formats.

So?

With “Coloratura,” Coldplay boldly ventures into new musical territory, moving away from their typical pop sound. The decision to create a progressive, orchestral piece over ten minutes long showcases the band’s pursuit of creative evolution and artistic depth. This departure from conventional pop is a courageous step, underscoring their willingness to innovate and commitment to musical diversity.

“Coloratura” is a masterful work and an epic journey through various musical landscapes and themes, engaging the listener both intellectually and emotionally. With its complex structure, rich arrangements, and profound lyrics, “Coloratura” stands out as a highlight in Coldplay’s discography and a testament to their artistic growth. The collaboration between band members and the expertise of the involved producers and technicians has created an impressive musical experience. Coldplay’s brave step into these musical realms deserves praise, and prog lovers around the world can only hope this wasn’t a one-off experiment.

Album Review: Barock Project – Time Voyager (2024)

6 June 20246 June 2024Leave a comment

Introduction to Barock Project

Barock Project is a progressive rock band that has been enchanting audiences with their unique blend of classical influences and modern rock elements since their formation in 2003. Originating from Italy, the band was founded by Luca Zabbini, a talented keyboardist, composer, and multi-instrumentalist. Zabbini’s vision was to create a sound that combined the complexity and elegance of classical music with the energy and innovation of progressive rock.

Early Years and Formation

The band’s early works were heavily influenced by the giants of the progressive rock genre, such as Emerson, Lake & Palmer, Genesis, and Yes. Barock Project’s debut album, “Misteriose Voci”, was released in 2007 and immediately garnered attention for its sophisticated compositions and rich orchestral arrangements. This album set the tone for their future endeavors, showcasing Zabbini’s classical training and the band’s ability to weave intricate musical tapestries.

Rise to Prominence

Over the years, Barock Project continued to refine their sound, releasing several acclaimed albums. “Rebus” (2009) and “Coffee In Neukölln” (2012) further established their reputation in the progressive rock community. With each release, the band pushed the boundaries of their musical capabilities, incorporating more complex structures and diverse influences.

In 2015, Barock Project released “Skyline”, an album that marked a significant step forward in their artistic development. The album’s blend of progressive rock and symphonic elements received widespread praise, and it helped to solidify their standing as one of the leading acts in the modern prog rock scene.

Live Performances and Global Reach

Barock Project’s reputation for delivering powerful and engaging live performances has played a crucial role in their growing popularity. Their live album “Vivo” (2016), captured the energy and precision of their concerts, offering fans an immersive experience of their stage presence. The band’s tours have taken them across Europe and beyond, allowing them to connect with a global audience.

Recent Works and Evolution

The band’s subsequent albums, “Detachment” (2017) and “Seven Seas” (2019), continued to showcase their evolving sound and thematic depth. These releases were noted for their lyrical introspection and the band’s ability to create expansive, cinematic soundscapes.

Current Lineup

The current lineup of Barock Project includes:

Luca Zabbini: Keyboards, vocals, acoustic guitars, and primary composer
Alex Mari: Lead vocals and acoustic guitars
Eric Ombelli: Drums, percussion, and backing vocals
Marco Mazzuoccolo: Electric guitars
Francesco Caliendo: Bass guitar

“Time Voyager” and Beyond

In 2024, Barock Project released “Time Voyager”, an album that encapsulates their journey through time both musically and thematically. This ambitious concept album explores different temporal moments and dimensions, blending nostalgic elements with futuristic visions. It marks another milestone in their illustrious career, demonstrating their continued relevance and innovation in the progressive rock genre.

Barock Project’s dedication to their craft and their ability to seamlessly blend classical and modern influences make them a standout act in the progressive rock landscape. For new listeners, their discography offers a rich and rewarding journey through some of the most sophisticated and emotive music in contemporary progressive rock.

For more information and to explore their music, visit the official Barock Project website.

The Review

As someone deeply entrenched in the world of music production, with over 30 years of experience and a keen ear for progressive rock, I find “Time Voyager,” the latest release from Barock Project, to be a landmark achievement. This album, released on June 3, 2024, represents a profound exploration of time through a meticulously crafted sonic landscape.

Overview

“Time Voyager” is Barock Project’s seventh studio album and stands as a testament to their evolution as a band. The concept revolves around temporal journeys, with each track serving as a portal to different moments and dimensions. This ambitious theme is masterfully executed, blending nostalgia with futuristic elements to create a cohesive and immersive listening experience.

Track-by-Track Analysis

Carry On (6:35) The album opens with “Carry On,” a track that immediately sets a powerful tone with its dynamic structure and Alex Mari’s compelling vocals. The song features intricate instrumentation, with a blend of electric guitars and keyboards that create a layered, immersive experience.
Summer Set You Free (4:41) This track brings a lighter, more melodic feel to the album. The uplifting lyrics and breezy arrangements provide a refreshing contrast to the opener. The interplay between Luca Zabbini’s keyboards and Marco Mazzuoccolo’s guitar work stands out, creating a harmonious and feel-good atmosphere.
An Ordinary Day’s Odyssey (6:04) “An Ordinary Day’s Odyssey” takes the listener on a complex journey through sophisticated musical arrangements. The track features shifting time signatures and elaborate instrumental passages, showcasing the band’s technical prowess and creativity. The narrative arc of the song mirrors the concept of an epic odyssey through time.
The Lost Ship Tavern (4:40) This atmospheric track is enriched by the violin performance of guest musician Alessandro Bonetti. The haunting melodies and evocative lyrics transport the listener to a bygone era, fitting seamlessly into the album’s theme of temporal exploration.
Voyager (8:08) Serving as the centerpiece of the album, “Voyager” is an orchestral and cinematic masterpiece. It begins with a Vangelis-like synth introduction, evolving into a pulsating rhythm driven by keys and drums. The song’s narrative unfolds through heroic vocals and dynamic shifts, encapsulating the essence of the album’s concept.
Morning Train (6:08) “Morning Train” features a more reflective and introspective tone. The gentle acoustic guitars and soothing vocals create a serene atmosphere, making it a standout track for its emotional depth and simplicity. The song reflects on the passage of time and the quiet moments of life.
Propaganda (6:33) This track delves into more intense and politically charged themes. The aggressive instrumentation and powerful lyrics address themes of misinformation and societal control. The energetic performance and sharp, incisive lyrics make “Propaganda” a memorable and thought-provoking piece.
Shibuya 3 A.M. (4:30) Inspired by the vibrant nightlife of Tokyo’s Shibuya district, this track captures a dreamy, nocturnal atmosphere. The blend of synth, piano, and gentle percussion creates an evocative soundscape, reflecting themes of lost love and yearning. Luca Zabbini’s vocals add a personal touch to this introspective piece.
Lonely Girl (5:09) “Lonely Girl” opens with a jaunty key and guitar intro, progressing into a more complex and emotionally charged composition. The song’s structure conveys a sense of frustration and longing, punctuated by Eric Ombelli’s rhythmic drumming and energetic rock passages filled with strings and organ work.
Mediterranean (5:17) This track brings a sunny and optimistic mood, characterized by Francesco Caliendo’s subtle bass lines and bright piano passages. The song evolves into a dazzling display of organ and electric guitar, capturing the essence of the Mediterranean’s warmth and vibrancy.
Kyanite Jewel (5:35) “Kyanite Jewel” features the delicate acoustic guitar work of Eric Ombelli, alongside his vocals. The song’s serene and peaceful quality is reminiscent of the blue metamorphic jewel it is named after, believed to have healing properties. This track promotes a sense of inner peace and tranquility.
Voyager’s Homecoming (7:36) The album concludes with “Voyager’s Homecoming,” a dramatic and powerful piece that brings the journey full circle. The track features a blend of heavy guitar, keys, and drums, leading to a triumphant and celebratory finale. The synthesizer sweeps and harmonic vocals convey the protagonist’s return, wrapping up the album’s narrative arc beautifully.

My Personal Highlights

Sorry, there are none, because they all are. Each in their own way. Maybe I have slight issues with The Lost Ship Tavern, but that’d be nitpicking. And just maaaaaybe I prefer Voyager’s Homecoming over all others a bit, but not massively. But in all honesty, there’s not a single filler or bummer in there.

Virtuoso Playing

The musicianship on “Time Voyager” is nothing short of virtuosic, as on every Barock Project album. Luca Zabbini’s masterful command of keyboards and synthesizers lays a complex and lush foundation throughout the album. His ability to blend classical influences with modern progressive rock elements is a testament to his skill and artistic vision. Marco Mazzuoccolo’s guitar work is equally impressive, ranging from delicate acoustic passages to powerful and technically highly challenging solos that drive the album’s emotional core. Eric Ombelli’s drumming is on an exceptional technical level, ultra-precise and dynamic, providing the rhythmic backbone that propels each track forward with energy and sophistication. Francesco Caliendo’s bass lines add depth and texture, perfectly complementing the intricate arrangements. Together, these musicians create a sound that is both technically proficient and deeply emotive, showcasing their collective talent and synergy as a band.

Oh, and I know that the guys are able to showcase the same abilities in a live setting.

Production Quality

Produced by Luca Zabbini and co-produced by Eric Ombelli, the production quality of “Time Voyager” is exceptional. The album’s sound is lush and expansive, with every instrument meticulously placed in the mix. All band members deliver stellar performances, as mentioned earlier (but I can’t mention that often enough).

Final Thoughts

“Time Voyager” is more than just an album; it’s an experience. Barock Project has successfully navigated the complexities of progressive rock while staying true to their unique sound. The album’s thematic depth and musical sophistication make it a standout release (not just) in 2024 and a must-listen for any fan of the genre, and beyond.

For those interested in diving deeper into this musical journey, “Time Voyager” is available on Barock Project’s official website. This album is poised to be a defining moment in Barock Project’s career and a significant contribution to the progressive rock landscape.

Peter Gabriel’s “i/o” Album Review: He’s Back, Better Than Ever Before

12 January 202412 January 2024Leave a comment

Peter Gabriel’s latest album “i/o” stands not only as a testament to his enduring creativity but also as a potential crowning achievement in a career already brimming with groundbreaking work. Gabriel, a legend in the music industry, has been known for his innovative approach to music, particularly through the 80s and 90s, and “i/o” might very well be considered his best work to date.

The Legacy of Peter Gabriel

Gabriel’s influence on the music world has been profound and multifaceted. Rising to fame with Genesis in the 1970s, he quickly established himself as a visionary artist. His departure from Genesis and subsequent solo career in the 1980s and 90s saw him breaking new ground, particularly with albums like “So” and “Us.” These works were not just commercially successful; they were also artistically daring, blending world music with electronic and art-rock elements, and they solidified his reputation as an innovative and fearless artist.

Groundbreaking Work in the 80s and 90s

During the 80s and 90s, Gabriel was at the forefront of the world music movement, integrating sounds and rhythms from various cultures into his music. His use of innovative recording techniques and embrace of new technologies set him apart. Albums like “So” (1986), with its hit “Sledgehammer,” showcased his ability to merge artistic depth with mainstream appeal, featuring groundbreaking music videos that revolutionized the medium.

“i/o”: A Culmination of Artistic Evolution

Now, with “i/o,” Gabriel seems to have distilled his decades of musical exploration into a singularly impressive work. The album encapsulates his signature sound while pushing into new territories. The dual “Bright-Side” and “Dark-Side” mixes are a clear indication of his continued innovation, offering listeners two distinct ways to experience the same music.

“i/o” is rich with the thematic depth and stylistic diversity that have defined Gabriel’s career. Tracks like “Panopticom” and “The Court” reflect his enduring ability to fuse diverse musical styles while tackling complex themes. The reflective nature of songs like “Playing for Time” and “So Much” suggests a maturity and introspection that might resonate deeply with longtime fans and new listeners alike.

In a career marked by constant evolution and boundary-pushing, “i/o” might be seen as Peter Gabriel’s most comprehensive and compelling work yet. It’s an album that not only reflects his legendary status but also reasserts his relevance in the contemporary music scene. For those who have followed his career since the Genesis days, or those just discovering his genius, “i/o” is a testament to Gabriel’s unwavering commitment to artistic exploration and innovation.

“i/o” marks a remarkable return to the music scene, offering a rich tapestry of sound and themes that reflect both his enduring legacy and his forward-thinking artistic vision. This long-awaited album, released track by track every full moon, showcases Gabriel’s unique approach to music-making and his ability to blend a wide range of styles and themes into a cohesive whole.

The Evolution of Sound and Style

The album’s opener, “Panopticom,” is a standout track that immediately sets the stage for what’s to come. It combines acoustic elements with electronic influences, creating a soundscape that is quintessentially Gabriel. The use of a 12-string guitar alongside Tony Levin’s deep bass tones and a blend of electronica exemplifies Gabriel’s knack for combining traditional and modern elements. This stylistic choice echoes back to his previous works, especially “Up” and “Us,” while introducing new textures and tones.

Exploring Deep Themes

Throughout “i/o”, Gabriel doesn’t shy away from diving into complex and often challenging themes. For instance, “The Court” revisits the tribal rhythms of his earlier work while layering in a haunting choir that contemplates the nature of justice in the era of cancel culture. Similarly, “Four Kinds of Horses” is a sensitive exploration of the corruption of religious faith into terrorism, backed by an evocative musical arrangement.

Personal Reflections and Contemplations

The album also has a deeply reflective side, with songs like “Playing for Time” and “So Much” exploring themes of mortality, hope, and renewal. These tracks reveal their layers over time, both musically and lyrically, providing a sense of peace amidst the inevitability of aging and change. This introspective quality is further exemplified in tracks like “Olive Tree,” which is not only the most commercially accessible song on the album but also a celebration of life and resilience.

Celebrating Life and Rebirth

Tracks such as “Road to Joy” and “Olive Tree” stand out as more upbeat, celebratory moments on the album, offering a counterbalance to its more contemplative moments. These songs embody a sense of joy and rejuvenation, resonating with themes of rebirth, which is particularly poignant considering the long hiatus since Gabriel’s last album of new material.

The Production and Collaborations

The production of “i/o” is notable for its use of both “Bright-Side” and “Dark-Side” mixes, showcasing the postproduction skills of producers-engineers Mark “Spike” Stent and Tchad Blake. This dual approach adds depth to the album, allowing listeners to experience it in different lights. Additionally, the involvement of artists like Brian Eno adds another layer of sonic depth to the album.

A Culmination of Artistic Journey

At 73 years old, Gabriel demonstrates that his creative spark is as bright as ever. “i/o” is not just a collection of songs; it’s a complete artistic statement that encapsulates Gabriel’s career-long journey of musical exploration and innovation. It’s a testament to his ability to stay relevant and compelling in a constantly changing musical landscape.

In summary, “i/o” is a rich, multifaceted work that showcases Peter Gabriel’s unique talents as a songwriter, composer, and musical innovator. Its blend of introspective lyrics, diverse musical styles, and thematic depth make it a noteworthy addition to his already impressive discography. For fans of Gabriel’s work, and for those new to his music, “i/o” offers a profound and rewarding listening experience.

Order or listen here.