In the next few days/weeks you might experience something unusual when you stream or download my music from the countless stores and streaming services out there. It could happen that my releases appear as double entries, and it’s possible that you recognize missing songs and changed song order of album releases.
That’s all because of the transition between 2 distribution companies. I transfer all my music from one to another, and they do not work in sync. One is faster then the other — with taking down and upping content — which is only one reason why I change partners. I’m quite unhappy with my former distributor, and the new setting is also better for you, as a fan.
That’s it. Nothing that should concern you at all, I just wanted to let you know, just in case something seems odd to you. I’m pretty confident that things are much better for you and me after the transition has been done.
Enjoy my music everywhere as always, everything will be accessible all the time. Thanks for your ongoing support!
After my well-deserved (cough) holiday at the Red Sea in Egypt, I made my promise — mainly to myself — come true and finally said goodbye to Facebook and Instagram.
I do not want to reiterate in this post what possibilities there are to follow me online, which is why I only refer again to this post where everything is described.
The following little story does not serve to remind the reader how well known I am (which I am not really), but to thank those who gave me something back during my holiday at the Red Sea in Egypt they claim I have given them before: hours and hours of good energy.
The question is: is it important to me to be recognized by people in the world? No. Although I’m easy to approach as a normal person, when it comes to being a musician, I’d rather not be recognized unless I’m on a stage or behind a DJ console. Also, I was there with my family and we had a very private time. Nevertheless, I experienced something in my vacation, which I found very heartwarming and of which I would like to tell you.
My family and I were marching from the beach to our room, on a cobblestone walkway, when my partner suddenly realized that someone was following us. A few seconds later, I heard a “DJ Ingo?”. I turned around, looked in the face of a friendly young man and said “Yes?”. It turned out that the entertainment director of the hotel complex had recognized me and wanted to take a selfie with me. That’s what we did. In the following days, my presence had strangely gotten around, and of the 700 hotel guests now approx. 699 of them knew who I was and that I’m around. Oh, and yes, I have been asked to play one night, but I didn’t, of course.
Side note: That’s nothing special. I am disproportionately well-known in Islamic countries compared to all other countries in the world (apart from Mexico and Argentina).
Over time, friendships developed between us and the very reserved “admirers” never spoke much about me and my job as a musician whilst we spent time together. It was a wonderful time, and I’m really thankful for that. This is how we experienced things in Egypt that most tourists are likely to be denied.
Thank you Dima, Jamaica, Craig and all you Ahmeds and Mohameds (sorry guys, you all have the same name).
We went snorkeling a few times in the Red Sea (view a few more photos here). This is most comparable to a huge aquarium or an IMAX 3D theater, incredibly fascinating. And sad at the same time, when you swim and realize in the midst of the ocean that all this is just dying. Unfortunately, with all the beauty underwater, I also had to realize that at least 50% of all corals in the reefs are dead. In addition, I have seen incredible amounts of PET or plastic washed up on the beaches, which we have collected a lot and disposed of in trash cans.
This may have been the last opportunity for me to see such a thing in reality before we humans have finally destroyed it. And I will never forget the pictures in my head. I will dedicate one of my next mixes to something related to this experience.
I (very) often get asked why I throw all my favorite music into one playlist, which would be this one: ingovogelmann.net/ivmc(“Ingo Vogelmann’s Medicine Cabinet”). Because most of you either like electronic music or hand-made music (like neo-classic, rock etc.), which I personally both like the same, along with a huge plethora of other music. That playlist is what I personally listen to most of the time I listen to music. I’m not very narrow-minded when it comes to music, and other things. There’s beauty in a lot of things out there.
Now, with the new playlists you can choose for yourself, at least between the dance and the chilled side of things (I might add playlist for rock or neo-classic and other genres in the future). Plus, the tracks featured in the new playlists are almost exactly what I would and do play on my LIGHTWORKS and TIME OUT shows/podcasts (if you like to call it that, or whatever), minus the unreleased promos, of course.
Go, head over to those playists, check them out and subscribe!
There seems to be a rumour that I retired. Recently I also received messages from fans who asked me directly. I think it’s time to explain, and not just on this subject.
First of all: no. I haven’t retired, yet, nor do I plan so anytime soon. But I have either shut down or minimized certain activities that affect my work in the music industry, on the other hand, I draw my energy to other (and partially new) things.
About my management activities in the music industry
As you may know, I no longer work for FRISKY. I also removed my shows from the station, because I wanted it that way. I was not officially fired. At a certain point, FRISKY simply stopped communicating with me for reasons that to this day are incomprehensible to me, unless I suspected fraud. After all, I was the one who quit after nobody talked to me anymore. I got some sort of explanation (very much too late), but it wasn’t satisfactory at all. Despite the fact that it assumed completely false accusations that looked strongly like made up, for the sake of accusation. I can not spread the whole story publicly, it’s still a legal process that is far from over. I still have demands that I have to enforce in court.
With great pleasure I am Head of A&R for Pro B Tech Music. This job usually takes place in the background, which is why you do not notice much of it. But I am very busy. If you have demos, send them to me. 😉
I direct my energy more and more to the work in the studio. That means I produce, mix, master and compose a lot, both for myself and for clients. That’s great fun. I couldn’t imagine quitting this, ever. I will probably do this until my very last breath. I just love music too much.
I do that. Still. As long as I enjoy it and my time allows it. I don’t know when the time has come when it stops being enough fun to continue, but you will notice.
Quite clear: I’m picking out the really good ones. I’m tired of stupid discussions with promoters that do too much coke and have an incredibly inflated ego or want to fool me. I do not play for free drinks, travel expenses and hotel. BTW, I never did that.
To be honest: I have been involved in the music industry for about 25 years. I have experienced many beautiful things, seen many places and people and experienced unforgettable moments. But also many bitter disappointments. And I – 45 years old – do not feel like it anymore. Really not. I might be a bit stupid, but not that stupid.
And here is the most important thing…
Over the years, I have neglected far too many things. Friends and partnership, for example. Family. A normal life. I haven’t always given the really important people in my life the attention and energy they deserve. Although I always had the best intentions, I have been terrible on many subjects and fucked up opportunities.
At 45, I’m full of regrets that I need to process — believe it or not. Your own mistakes make you either go full retard (pardon the wording) or they make you humble and thoughtful. I want to be a better version of myself and live the life I could have lived earlier if I hadn’t clinged to stupid things and false perceptions. I also want to have more time and energy for private passions and hobbies, and I also want to really listen to the music I love more, not just skip through it, because I need to evaluate it.
I’m at an age where you do not have to get involved with everything or prove anything. I (almost) only do things that I enjoy doing. A few things I did before have only taken but not given back enough, or at all. Fuck this.
In a nutshell, I have no time or energy to waste. This life is short and will be over sooner or later, and I’m the only one responsible for my happiness until that day has come.
However, that’s the short explanation on the state of things. If necessary, I will explain more at some point. Thanks for your attention and for your support! I sincerely hope you understand what this is about, and what not.
I decided to offer all my music for which I own the copyrights* for free, now and in the future. “Free” means all music I have on my own label (L2 Music) can be downloaded for as low as zero (all currencies, smiles preferred) or for whatever amount you think is right, in the best possible quality! There are no hooks, eyelets or hidden conditions. There is just music.
You can either stream my music for free via Spotify or stream and/or download at Bandcamp.
*Digital downloads, not physical products, of course. I have no influence on the price of my music that I have signed with other labels, hence I can not offer this for free. But all of my albums are on my own label, and most of my non-dance-music productions.
Of course, I will still do paid remixes (and receive royalties for those), and sign my music to other labels, mostly dance music productions. But music on my own label (my albums etc.) will be free from now on.
Why am I doing this?
It’s simple, really. There is no point in asking you to pay for the download of music files anymore when you can stream it for free already. Those who like to listen to music in top quality (the audiophiles among you), there are the free or pay-what-you-want downloads at Bandcamp.
Nevertheless, I would like to ask each one of you to support me by becoming my patron:
Thank you, no matter if you’re just a listener or paying subscriber/downloader. You’re all equally valuable to me.
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