NEW ALBUM “Until We’re Gone” available for pre-order!

Is it an ambient album? Electronica? Music for elevators, shopping malls or – sorry Brian Eno – airports? Boring frippery? Music to fall asleep? Any electronic music that does not fit in any drawer? A stroke of genius? Psychoactive music with more chord changes than in Bach’s most popular pieces?

It’s all that, depending on the listener.

In the past few years, Ingo Vogelmann has studied the influence of music on the human psyche, working with frequencies, chords and timbres and with hypnotists and “commissioned music” for therapists who have successfully treated clients with this music. A certain part of this material can be found in this album.

None of the songs claim to have a classical song structure, or even a conventional duration. They are extremely long, because that can serve a purpose if the listener allows themselves to get involved. Each song has constantly changing chord progressions, but they are always harmonious and often reminiscent of classical works by the great composers of yesteryear.

“Until We’re Gone” is not a work in which Ingo wants to prove technical finesse. There are other pieces for that. The focus of this album is on the composition and the ability of the music to put the listener in a special state.

This music picks up seekers who are willing to get involved in something new.

Preorder: December 6, 2019
Release date (Spotify, Apple Music, iTunes, TikTok, Google Play/YouTube, Amazon, Pandora, Deezer, Tidal, Napster, iHeartRadio, ClaroMusica, Saavn, Anghami, KKBox, MediaNet, Instagram/Facebook): December 18, 2019

News on “Elegy For The Living”

This is the 1st album teaser for “Elegy For The Living” which contains 9 x 1 minute snippets from the first half of the album (a 2nd one will follow soon):

Note: The footage is not what’s going to be the full length music video which will be done for the full length of the album (approx. 70 minutes, 4K).

 

This is the first Q&A video, more coming:

Update on the album production

The album

I’ve done around 30 different mixes, tried like 10 different guitars, mixing the drum kit and making it sounding right has taken an incredible amount of time, I’ve tweaked the tiniest bits of sound to total exhaustion.

Should the grand piano have more mechanical noises… should the timpani have slightly more reverb… should the guitar have a delay or not, should I add the cello on top of the full orchestra, or an oboe? Should I widen the acoustic guitar or leave it as is? Is this chord harmonic enough for the one before? Is the Oberheim too loud? Should I use the Gibson EB0 or the Les Paul bass, finger or pick? Stratocaster or Telecaster? This or that cabinet, or none at all, what amp? Distortion or slight fuzz, tremolo?

The pains of creating an album…

Questions like that are bothering me all the time. And the production is so huge that my DAW crashes at least 3 times a day. Plus, anxiety, doubts… because “is it all worth it? Will they understand it?”. Sleepless nights. Then again: “fuck yeah!”. It all sounds absolutely heavenly, I get goosebumps all the time. And nothing is even mastered at all.

I have half of the album sounding as perfect as it gets, with the needed amount of imperfection to become perfect. I open parts of it again, again and again… stuff that I did a year ago that doesn’t sound right today, and may sound not right next week. You get the idea. 😉

No worries, it’s all good. It’s finished very soon. Once it’s done I have nothing to do with it anymore. Then it’s a product with a life of its own, and I will watch it learning to walk.

I will reply to all of your questions in a video that I’ll upload to Facebook and YouTube, very soon.

My favorite music of the week 32/2017

I have discovered a huge number of incredible and great new music this week! Make sure to check all this out.

All of this is gold. Don’t miss!