Frost Life On The Wires

Album Review: Frost* – Life on the Wires (2024)

A Modern (2024) Progressive Rock Masterpiece

Frost*’s latest album Life on the Wires is an incredible mix of cinematic ballads, intense prog rock, and intricately woven arrangements — all coming together under a dystopian storyline crafted by Jem Godfrey. Frost* combines prog elements into something truly unique, blending classic progressive rock with modern cinematic flair. The depth and variety of the sounds on this album truly demonstrate why Frost* continues to be one of the most innovative bands in the scene today.

Concept and Continuation

Life on the Wires picks up seamlessly where the previous album, Day and Age (2021), left off. Day and Age dealt with existential themes, complex human emotions, and questions about our place in the universe. It ended with a powerful mix of despair and hope, leaving you eagerly anticipating what could come next. Life on the Wires continues that journey, diving headfirst into a narrative that explores technological control, societal oppression, and the fight for personal freedom. The transition from Day and Age to Life on the Wires feels completely natural, showing just how well Frost* understands conceptual storytelling.

The storyline of Life on the Wires revolves around Naio, a lone protagonist in a world dominated by the All-Seeing Eye — an AI system that suppresses individuality and enforces control over everyone. Naio’s journey begins when he discovers an old radio broadcast from a mysterious, rebellious voice called Livewire, which sparks his quest for personal freedom and rebellion. This dystopian world that Frost* has created is rich and layered, allowing the band to explore themes of control, resistance, and resilience in a way that feels genuine and compelling. The narrative keeps listeners hooked from start to finish, strengthened by Frost*’s powerful musical craftsmanship.

Musical Craftsmanship and Soundscape

Musically, Life on the Wires is a showcase of what makes progressive rock so exciting. Frost* brings in their signature style of complex arrangements, melodic hooks, and detailed solos. They mix heavy prog elements with softer, reflective moments, creating a dynamic and engaging listening experience. Craig Blundell’s precise drumming ties the whole thing together, demonstrating the kind of technical mastery Frost* is known for. The balance between atmospheric piano and aggressive guitar riffs is exactly the kind of contrast that makes their music so engaging.

Compared to Day and Age, Life on the Wires has an evolving soundscape that is rawer and more urgent. Day and Age had a lush and introspective feel, whereas Life on the Wires brings a grittier, more immediate tone. Tracks like “School (Introducing The All Seeing Eye)” and “Propergander” are great examples of this—full of suspenseful, gritty instrumentation and sharp guitar riffs that perfectly reflect the defiance of the storyline. In contrast, earlier tracks such as “Strange World” and “Idiot Box” set a more introspective and chaotic tone, which makes the progression towards these heavier, more aggressive pieces feel natural and adds to the evolving soundscape of the album. The second half of the album culminates in the epic “Life in the Wires (Part 2),” which brings together everything great about Frost*: dynamic shifts, powerful rhythms, intricate instrumental sections, and emotional climaxes. It’s an impressive piece that encapsulates everything Frost* does best.

Standout Moments and Progressive Elements

The album is filled with moments of true progressive excitement and polish. “Life in the Wires (Part 2)” especially stands out, with its ambitious scope and dynamic transitions that really capture the essence of the genre. The unpredictable range of styles keeps you engaged throughout, offering musical twists and turns that make each listen an adventure. Frost* does an excellent job balancing the heavier, chaotic tracks with introspective beauty, reflecting the same kind of thematic contrasts seen in Day and Age but taking them even further.

The chemistry between Jem Godfrey, John Mitchell, Nathan King, and Craig Blundell is palpable on this record. Their synergy shines brightly through the numerous solos and musical transitions, such as the standout synth lead in “The Solid State Orchestra.” The album uses a wide range of instruments — from haunting piano sections to retro organ sounds, expressive guitar solos, and intricate rhythmic shifts. This creates a varied soundscape that moves smoothly between the intensity of prog metal and the delicate introspection of ballads. This evolution expands on the explorations of Day and Age while adding richer textures and more layers.

Blending Diverse Influences

One of the standout qualities of Life on the Wires is Frost*’s ability to blend diverse influences. The progressive elements are intertwined with cinematic moments, atmospheric builds, and hard-hitting rock sections, creating a listening experience that is both diverse and cohesive. Tracks like “Moral and Consequence” bring in a groove-oriented feel that contrasts beautifully with the softer compositions of pieces like “Absent Friends.” This album is full of bold choices, keeping listeners on their toes throughout its runtime.

A Thrilling Continuation

Life on the Wires is a compelling concept album that builds on the themes and musical explorations from Day and Age, delivering something both fresh and familiar. It’s a natural continuation of the band’s journey through human themes and complex soundscapes, with plenty of thrilling moments that make it worth listening to again and again. Long-time fans will find much to love, especially in how Frost* reinterprets and expands upon their iconic sound. Jem Godfrey, John Mitchell, Nathan King, and Craig Blundell all bring their A-game, ensuring the classic Frost* sound is well represented while also taking the music to exciting new places. Their chemistry is especially evident in the powerful interplay during the climax of “Life in the Wires (Part 2),” where each member’s contribution seamlessly enhances the dynamic progression of the track, creating an exhilarating and cohesive musical moment.

Life on the Wires shows that Frost* is still at the top of their game in the progressive rock world. They are continually pushing boundaries while staying true to their roots. This album is a testament to their creativity — thought-provoking, sonically exhilarating, and emotionally impactful. With its captivating storyline, powerful musical arrangements, and bold innovations, Life on the Wires secures Frost*’s place as one of the most exciting bands in the progressive rock scene, consistently delivering both technical brilliance and emotional depth that resonates with listeners.

Ott- Hiraeth

Album Review: Ott – Hiraeth (2024)

You want Ott? You get Ott.

With “Hiraeth”, Ott delivers exactly what his fans expect: a deep dive into the immersive world of psychedelic dub and trip-hop. The intricate production, the warm layers of organic and electronic sounds, and the enveloping atmosphere make it clear that Ott remains a master of his craft. The album is classic Ott — detailed soundscapes that draw the listener into a rich, trippy audio journey.

Ott once described his creative process with a mix of humor and self-awareness:

“My entire approach could be summed up in terms of throwing shit at a wall and seeing what sticks. I do have a very slippery wall though, and my shit is made of Teflon.”

This playful analogy perfectly encapsulates his blend of experimentation and precision. While much of his work may begin in a freeform, trial-and-error style, the final product is anything but random. Hiraeth reflects this — rich, polished, and meticulously arranged, despite the playful chaos that might have sparked its creation. His music feels like the product of countless ideas, refined until only the most cohesive and immersive remain.

The overarching feeling of Hiraetha title for a track that I used before, a Welsh word for a deep longing or nostalgia for a home that may never have existed — runs through the entire album. This emotional undercurrent is perfectly reflected in the melancholic yet soothing atmosphere that defines the record. The production is flawless, the arrangements are lush, and the use of space and dynamics is truly masterful.

Yet, the album also exemplifies “You want Ott? You get Ott” — and therein lies its greatest strength, but also its limitation. For fans of Ott’s earlier works like “Mir” or “Skylon”, “Hiraeth” is everything they love, with its downtempo grooves, hypnotic rhythms, and warm, enveloping textures. But for those looking for a new twist, a bold departure, or even a subtle shift in direction, “Hiraeth” may feel a bit too familiar.

It’s been a while since Ott released a full studio album, and while his live shows with Ott & The All Seeing I gave fans a taste of something fresh, “Hiraeth” leans heavily on the established sound that made him a beloved figure in the psy-dub world. The album feels like a comfortable return home rather than a journey into uncharted territory. This album showcases Ott’s ability to craft beautiful, flowing pieces that are rich with detail—but they also feel like they could have fit seamlessly on his previous albums.

For listeners who crave something groundbreaking, “Hiraeth” might feel like a missed opportunity. The meticulous layering, the deep basslines, and the atmospheric swells and glitchy sequences and effects are all there, but the sense of innovation that defined Ott’s earlier work is somewhat gone. It’s as if Ott is playing it safe within his well-defined genre, rather than pushing the boundaries of what his music could be. This isn’t necessarily a bad thing — fans of his classic sound will find a lot to love here — but it does make “Hiraeth” feel like an album for the faithful rather than one that will expand his audience.

However, despite these (hopefully fair) criticisms, there are definitely those moments of brilliance scattered throughout the album, as one would expect from Ott. The careful balance of tension and release, and the way Ott uses space to create an almost meditative experience. His skill at building soundscapes that feel both organic and synthetic remains unparalleled.

In conclusion, “Hiraeth” is a strong addition to Ott’s discography, though it doesn’t break new ground. It’s an album that knows its audience and delivers exactly what they want: lush, psychedelic dub with all the familiar elements of Ott’s signature style. But while it’s a satisfying listen, it’s hard not to feel a lingering sense of hiraeth for the innovation that once defined his music.

Ultimately, “Hiraeth” is like reconnecting with an old friend: comforting, familiar, and satisfying — but without the surprises that make such reunions unforgettable.

I love this guy and his music. Buy and stream here.