2023 • Page 5 of 12 • INGO VOGELMANN

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Brexit: The Massive After Party Hangover

20 June 202320 June 2023Leave a comment

Ah, Brexit. The political equivalent of deciding to break up with your long-term partner because you’re tired of them leaving the cap off the toothpaste. It was a decision that promised sovereignty, prosperity, and control. But, like waking up after a night of heavy drinking, the reality has been a little less rosy. Let’s take a look at the ‘morning after’ effects of this political bender.

Economic Contraction: The UK is the only major rich economy that remains smaller than prior to the pandemic. The UK is projected to be 4% worse off than it would have been if it had voted against Brexit. Source: BBC News, OECD.
Decrease in Real Income and Per-Capita Income Level: A UK exit has been predicted to lead to a decrease in real income by 6.3%-9.5%. Source: Michigan State University. Surveys of economists showed overwhelming agreement that Brexit would likely reduce the UK’s real per-capita income level. Source: Wikipedia.
Trade Disruptions and Adverse Impact on Trade: New rules and paperwork for companies trading with the EU led to an initial dip in exports and may have deterred some small exporters. The variety of goods exported has also decreased. Brexit has had a significant adverse impact on UK trade, reducing both overall trade volumes. Source: BBC News, Politico.
Increased Import Costs and Inflation: The price of food imported from the EU has risen, potentially by as much as 6% over 2020 and 2021, leading to higher costs for consumers. Brexit is weighing on imports and exports, sapping investment, contributing to labor shortages, and worsening Britain’s inflation. Source: BBC News, CNN Business.
Stalled Business Investment and Exacerbated Economic Weaknesses: Uncertainty surrounding Brexit has led to a stall in business investment. If investment had continued its pre-referendum trend, it could be about 25% higher than it is now. Brexit has exposed and exacerbated underlying weaknesses in the British economy, such as low productivity and low business investment. Source: BBC News, Institute Global.
Labor Shortages and Worker Shortage: Changes in immigration rules have resulted in labor shortages in sectors such as transport, hospitality, and retail, leading to service disruptions and increased costs for consumers. About 20,000 EU citizens left the UK after Brexit, leading to a significant shortage of workers in fields such as retail, hospitality, and goods transport. Source: BBC News, StudySmarter.
Slow Progress on New Trade Deals: While the UK has struck 71 trade deals, most of them replicate deals that existed when the UK was part of the EU. New deals with Australia and New Zealand are expected to provide only a small boost to trade and deals with major players like the US and China remain elusive. Source: BBC News.
Job Losses in Financial Services: The financial services sector have lost 7,000 jobs due to Brexit. Source: BBC News.
Negative Impact on Irish Trade: Brexit has had negative impacts on Irish trade, with adverse knock-on effects on Irish production and ultimately Irish GDP. Source: Copenhagen Economics.
Decrease in Imports: Research shows a 25% decrease in UK imports from the EU compared to imports. Source: Open Access Government.
Reduced Competitiveness: Brexit has damaged Britain’s competitiveness and is expected to make the country poorer in the decade ahead. Source: Resolution Foundation.
Impact on People Flow: Brexit has affected the flow of people, with EU citizens now having to apply for work or study in Britain. Source: The Economist.
Increased Business Costs: The drop in the value of the pound after Brexit raised import prices, business costs, and inflation, but did not boost wages, exports, or the competitiveness of the UK economy. Source: Financial Times.
Impact on Developing Countries: Brexit could cause the number of people living in extreme poverty in developing countries to rise by up to 1.7 million. Source: Deutsches Institut für Entwicklungspolitik.
Impact on Supply Chains: The new rules have led to drastic consequences for some companies, with 17% of surveyed companies ceasing their export trade with the UK due to Brexit. Source: KPMG Germany.
Impact on the EU: The EU lost about one-sixth of its economic output due to Brexit, and the negative consequences and challenges go beyond the GDP effect. Source: The Guardian.
Higher Barriers to Trade, Capital Flows, and Labor Mobility: When the United Kingdom left the European Union, higher barriers to trade, capital flows, and labor mobility affect output and jobs not only in the UK but also in the EU. Source: International Monetary Fund.
Negative Impact on Globalization: Brexit is seen as a vote against globalization, which has weakened forces in the EU that favor integration. Source: The Balance.

So, there you have it. The ‘Brexit Bonanza’ in all its glory. A smorgasbord of economic contraction, trade disruptions, labor shortages, and a whole lot more. But hey, at least they’ve got control, right? And isn’t that what it’s all about? Control over your own destiny, even if that destiny looks a bit like a car crash in slow motion. But don’t worry, I’m sure it’ll all work out in the end. After all, they’re British. A stiff upper lip, a love of queuing, and a knack for making the best of a bad situation. Let’s raise a cup of tea to Brexit, the gift that keeps on giving. Cheers! And remember, that’s what happens when you decide to jump off a cliff and then try to build a parachute on the way down.

REVIEW: Extreme’s “SIX” – A Symphony of Sonic Surprises and Unapologetic Authenticity

9 June 20239 June 2023Leave a comment

(Isn’t the album cover extremely awesome?)

As a grizzled veteran of the rock ‘n’ roll rollercoaster, having clocked up a half-century on this spinning rock we call Earth, I’ve been a passenger on the Extreme journey since the band’s genesis in 1985. Their latest offering, “SIX”, is a testament to their musical evolution, a sonic tapestry that weaves together the threads of their past while boldly striding into uncharted territory.

“SIX” opens with “Rise“, a track that hits you like a shot of adrenaline straight to the heart. It’s a powerful opener that sets the tone for the album, a narrative about the fickle nature of fame that resonates with anyone who’s been around the block a few times. It’s a reminder that success is transient, a theme that echoes through the annals of rock history and reverberates in the hearts of seasoned fans like me.

Next up is “#Rebel“, a track that lives up to its name in every sense. It’s a rebellious anthem that channels the spirit of Marilyn Manson, a stark departure from Extreme’s usual style. It’s a bold move, but it’s this willingness to push boundaries and experiment with new sounds that has kept Extreme relevant over the years.

“Banshee” and “Other Side of the Rainbow” offer a softer side of Extreme, with their intimate ballads that hark back to the band’s earlier days. These tracks are a comforting reminder of the band’s roots, a nostalgic nod to the past that old fans like me can appreciate. They’re like a warm blanket on a cold night, a familiar comfort that wraps you in a cocoon of melodic memories.

“Small Town Beautiful” and “The Mask” continue this trend, with their well-crafted rock music that breathes the spirit of the 90s yet finds its place in the here and now. These tracks are a testament to Extreme’s ability to evolve while staying true to their unique sound. They’re like a fine wine, maturing with age yet retaining the essence of their original flavor.

“Thicker Than Blood” and “Save Me” are where the album takes a turn. These tracks are a departure from the band’s usual style, with a modern, US mainstream rock sound. It’s a surprising twist, but one that showcases the band’s versatility. It’s like stepping into a time machine and being catapulted into the future, a thrilling ride that leaves you breathless and eager for more.

“X Out” is undoubtedly the standout track on the album. It’s a kaleidoscope of influences and styles that highlights Extreme’s musical range. Bettencourt’s guitar work here is particularly noteworthy, with dazzling riffs reminiscent of Van Halen and a musical structure that echoes U2’s modern phase. It’s a sonic masterpiece that showcases the band’s musical prowess and creativity.

On the other end of the spectrum is “Beautiful Girls“, a track that can only be described as an inexplicable mishap on an otherwise flawless album. Despite the band’s obvious musical prowess, this song seems to fall out of line and doesn’t quite fit with the rest of the album. It’s like a jigsaw puzzle piece that doesn’t quite fit, a perplexing anomaly in an otherwise seamless sonic landscape.

The album concludes with “Here’s to the Losers“, a poignant ballad that serves as a fitting end to the musical journey that is “SIX”. It’s a reminder of the band’s ability to evoke emotion through their music, a skill that has remained consistent throughout their career. It’s a heartfelt farewell that leaves you with a sense of satisfaction and a longing for more.

Home Hero Desktop 3840x2159 1 — Nuno Bettencourt (right) probably is the best guitarist this planet has ever seen.

“SIX” is an impressive album that showcases Extreme’s musical maturity and creative diversity. It’s a testament to the band’s ability to evolve while preserving their unique sound. It’s an album that will delight long-time fans of the band, like me, as well as those being introduced to their music for the first time. It’s a rollercoaster ride of musical mastery and unexpected turns, and one that I’m glad to have been a part of.

To further immerse myself in the Extreme experience, I plan to attend one or two live shows in 2023. There’s nothing quite like the electrifying atmosphere of a live concert, the raw energy of the band, and the collective excitement of the crowd. It’s an opportunity to witness the magic of Extreme firsthand, and I’m eagerly looking forward to it.

For those who wish to join me in this musical journey, you can purchase the album and merchandise on the band’s official website here. The site also provides updates on the band’s upcoming live shows, including dates in the US, Australia, Japan, the United Kingdom, and several European countries.

Footnote: In my enthusiasm for the album, I sought to purchase the t-shirt featuring the striking gorilla album cover, only to find it was sold out. A testament, perhaps, to the widespread appeal of this latest offering from Extreme. Here’s hoping for a restock soon. After all, what better way to celebrate the release of “SIX” than by wearing it on your chest?

A Personal Take On Rammstein

7 June 20237 June 2023Leave a comment

I’ve always been one to appreciate a wide range of music, but there’s one band that I’ve never been able to get on board with: Rammstein. The German metal band has long been a source of controversy, and for me, their actions and representations have always been a step too far.

Let’s start with their performances. Rammstein is known for their grandiose shows, complete with pyrotechnics and dramatic theatrics. Generally, not really my thing. Plus, beneath the spectacle, there’s an element that’s deeply unsettling. The band’s use of Nazi propaganda aesthetics and right-wing iconography is, in my opinion, a blatant disregard for the historical trauma associated with these symbols.

As the taz article “Verharmlosung von Rammstein: Eiertanz ums Eiserne Kreuz” aptly points out, their shows “[deliver] a celebration of flame-encircled masses as updated staging strategies of the NS propagandists Leni Riefenstahl and Albert Speer and imitate these models under the insignia of the musical shock troop, an Iron Cross.”

Some might argue that this is all part of their artistic expression. But let’s cut the crap here. This isn’t just about pushing boundaries or being edgy. This is about using loaded symbols for shock value and, as some suggest, as a marketing strategy. And that, my friends, is where I draw the line.

But the controversy doesn’t end there. The band’s lead singer, Till Lindemann, is currently embroiled in a MeToo scandal, facing allegations of sexual assaults against young female fans. This, coupled with Lindemann’s past lyrics that fantasize about the rape of a drugged woman, paints a troubling picture.

The taz article states, “If the just exploding scandal gains further substance in the face of the alleged pattern of sexual assaults by frontman Till Lindemann against young female fans, Rammstein would again be number one in Germany, but in the biggest MeToo case.” This is a stark reminder that we need to hold our idols accountable, regardless of their artistic contributions.

And then there’s the academic trivialization of Rammstein’s actions. A book titled “Rammstein’s ‘Deutschland’. Pop – Politics – Provokation” presents the band’s controversial actions as “complex works of art”. The taz article criticizes this perspective, stating, “The reader ‘Rammstein’s ‘Germany’. Pop – Politics – Provokation’… presents the result of cultural science research on Rammstein’s pop-cultural total work of art permeated with fascist aesthetics, right-wing iconography, and sexual violence fantasies.”

To me, this feels like a dangerous oversimplification that overlooks the potential harm such portrayals can cause. It’s like saying, “Sure, they’re playing with fire, but look at how pretty the flames are!” It’s a way of avoiding the hard questions, of sidestepping the uncomfortable truths.

While some may appreciate Rammstein’s boldness and refusal to conform, I find their actions deeply problematic. The controversy surrounding Rammstein serves as a reminder that as consumers of art, we need to keep our eyes open and our minds critical. We need to hold artists accountable for their actions, especially when they exploit historical trauma and personal boundaries for shock value.

At the end of the day, it’s not just about the music. It’s also about the message. And when that message is wrapped up in controversy and exploitation, it’s time to take a step back and ask ourselves: is this the kind of art we want to support?